向来沉默的少女蝴蝶（柯佳嬿）在跨年的那一晚来到热闹的PUB，狂欢的人群中，遇见了也来此逃避现实的立翔（莫子仪），在借喧哗暂时将自己麻醉的人群里，只有蝴蝶读出了立翔的孤独，当两人心的距离越来越近时，立翔发现蝴蝶的沉默不是缘于惯性，而是因听力障碍。PUB的另一角，与蝴蝶断了音讯的好友小惠（张榕容）在找寻蝴蝶的过程中，与男友耗子（柯宇纶）历经了一场迷幻奇妙的旅程。而命运因蝴蝶和立翔的相遇被牵动了的，除了小惠与耗子，尚有其它六位男女。

Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.

英国源源不断的鸦片输入令道光皇帝感到江山岌岌可危，虽害怕列强，他还是下诏委派湖广总督林则徐（鲍国安）为钦差大臣前往广州禁烟。但腐败官吏与英国商人的勾结将鸦片贸易变得错综复杂，林则徐的禁烟行动从一开始就面临重重困难，英国商人一面假装听命林则徐，一面策划更大的阴谋。道光十九年六月三日，林则徐在虎门海滩指挥销烟，百姓拍手称快。英国回国商人拿此事大做文章，装备精良的英军从珠江口直下塘沽，对华宣战。软弱无能的道光不派兵应战，反把一切怪罪到林则徐头上将他撤职，又派直隶总督琦善（林连昆）为钦差大臣前去与英方讲和，酿成历史悲剧。

有些父母，故意让小孩制造车祸，来敲诈驾驶人金钱。这是一度轰动日本的新闻事件。大岛渚将这新闻事件搬上银幕，进一步探讨新闻幕后故事。少年的父亲是战争中受伤的残疾退伍军人，继母曾当过吧女，这个家庭是日本战后社会的缩影。在犯罪现场，父亲制定出方案，站在远方观望，母亲和少年在街头漫步，寻找目标。先是母亲为儿子作出示范，既而父亲鼓励儿子从事“工作”。父亲还遗存着军国主义思想的父亲，不断榨取少年和继母用血汗赚来的钱；柔顺的继母尽管袒护少年，但仍然无法反抗父亲和讹诈谋生的想法；早熟的儿子明白家庭的处境和自己的责任，尽力作好自己的“工作”。他们到处流浪，在北海道，一个驾车少女为躲避他们，撞死在路边，少年产生了自杀的念头。他们回到大阪，全家被逮捕。少年开始决不承认自己犯了罪，但最后还是为北海道少女流下了悔恨的眼泪。