Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

A young homeless man happens to draw a series of illustrations over dusty surfaces, gradually recovering from the pains of his past.

宦官弄权的明朝末年，苛税与暴政弄得民不聊生。张君宝（李连杰）与董天宝（钱小豪）是一对自幼在少林寺长大的师兄弟，但两人性格迥异，张君宝善良忠厚，董天宝则狡猾阴险，在争夺进入达摩院修行的资格时，两人因与师伯发生争执，被逐出少林。出寺后，两人因志向渐不同而分道扬镳，董天宝贪图荣华参军，张君宝则与一群仁人志士一起劫富济贫。为求高官，董天宝向大宦官刘瑾出卖大批旧友，一时间血流成河。为替义士报仇，也为帮民除害，张君宝在秋雪（杨紫琼）的帮助下，从其师傅的气功心法中悟出一套武林奇功“太极拳”，开始勤加练习，准备不日与敌手来场血战。

1956年的马德里，空气中弥漫着懒洋洋的浪漫气息。在一户普通人家，红猫闪电依靠在沙发前拨弄着手中的佛拉门哥吉他，自由自在吟唱歌曲。房屋的角落有一处鼠洞，门口华丽丽地写着艾尔·马格尼菲科（El Magnifico）的字样。那是鼠洞主人名字，他和杰瑞有着同样的容貌，他尤其喜欢舞蹈，身手敏捷没有任何猫能抓住他。面对闪电的懒惰和艾尔的嚣张，女主人非常生气，于是从美国请来了奥林匹克世界捕鼠冠军——汤姆。汤姆用蹩脚的西班牙语作了自我介绍，随后展开抓捕行动。艾尔?马格尼菲科一次次被汤姆抓住丢出房门，却一次次从容不迫踩着有力的舞步回到房中。闪电幸灾乐祸地看着这场有趣的闹剧……