很想隱藏過去的海秀，搬到新的城市重頭開始，經營咖啡店，更請來高中生藝珍當兼職，命運令兩人走在一起，她們的友誼更為海秀的生活帶來新火花。然而，兩人內心都埋藏著秘密，不想輕易向人透露。跨性別與女同志的邂逅，譜出淡淡的感動情緣，以不煽情的方式，訴說一個關於接納自己和容納他人的故事。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

由于俊雄多日未到学校上课，他的班主任小林俊介（柳忧怜 饰）赶来家访，看到精神恍惚、举止怪异的俊雄，并获悉川又伽椰子对自己的心意。这时他接到佐伯刚雄的电话，得知怀孕的妻子已被对方残忍杀害，与此同时，被杀死的伽椰子也出现他的面前。惨案不久，通灵者铃木响子（大家由佑子 饰）受经营地产中介的弟弟达也（芦川诚 饰）之托调查佐伯家房子的情况。响子向弟弟提出忠告，但她很快便发现厄运已经找到她和侄子信之的头上。另一方面，购买这幢房子的北田夫妻也开始了他们恐怖诡异的生活。咒怨不灭，死者连连……本片为咒怨系列OV版第二部。

2018年4月起，敦煌壁画古乐器复原开发项目启动。该项目历时8个月，由全国各地的民乐制作大师仿制敦煌壁画古乐器97种，245件，将壁画乐器图形做成实物，“复活”千年敦煌音乐盛景。纪录电影《敦煌乐器——乐从画中来》基于此次乐器复原制作，记录了乐器由图形成为设计图纸，再成为实物用于演奏的全过程，讲述了琵琶、花边阮、箜篌、雷公鼓等敦煌壁画乐器的前世今生，成为这项抢救性复原开发工程的见证。