95年に公開され大ヒットした、人気SFアクション・アニメ・シリーズの劇場版。1人の女性をめぐる男2人の争いや戦闘機同士の激しい闘いなどを、CGを駆使して描く。

京京跟着梅干阿叔从北京来到景颇山，认识了麻双奶奶的孙子小泥猴。妈妈要进森林工作，京京为妈妈送行，他含着泪大声喊：“妈妈！”山里远远响起回声。麻双奶奶告诉他这是应声阿哥在呼唤。京京害怕大黑牛，不愿意跟牛在一个水塘里洗澡。京京有漂亮的衣服、小人书和玩具。但他只把电子遥控小汽车让小泥猴一人玩。京京的香蕉口琴丢了，硬赖别人偷了。他蛮不讲理地摔坏了小泥猴的木“汽车”，并且同小泥猴打了一架，小泥猴和其他小朋友都不理他了。京京在森林里迷了路，应声阿哥的喊声救了他。从此京京变了，他不怕大黑牛了，还采蘑菇卖了给大黑牛买红糖，他还学会了背水、打草。大黑牛临产，麻双奶奶让京京和小泥猴找梅千阿叔帮忙。聪明的小泥猴在山顶上呼喊：“梅干阿叔！”山里响起了“梅干阿叔”的喊声。对面传出梅干阿叔的回答。京京终于明白了是谁把他救出了大森林，是谁在关心他，帮助他。京京要回北京了，他把玩具都送给了小朋友，也接受了他们送的礼物。京京跑上山顶跟应声阿哥告别，带着应声阿哥的祝福回北京去了。

三年前，年迈的母亲打来电话，让“我”给她拍张照片当遗像。父亲沉迷彩票，家产散尽。最离奇的哥哥，他从小就认为自己可以通灵，是神明的媒介。面对死亡的时候，“我”是否准备好失去父母？带着隔阂与心结，导演回了一次家。而随着拍摄与生活，他发现自己与家庭的关系竟发生了变化。导演以自身家庭为素材，缓缓讲述这个让他二十多年间不愿踏入的家族故事。本片入围瑞士真实影展，获台北电影节最佳纪录片、最佳剪辑、观众票选最佳影片，评审团全票通过获得百万首奖。“拍出家人、土地和神明间的渴望与拉扯，不煽情却无比动人。”

This production of 'Twelve Angry Men', written especially for Studio One, is shorter than the film version and leaves a few twists and turns of plot undeveloped, but it is fifty minutes of class nevertheless. For many years this episode was thought to have been lost. The Museum of Television and Radio (now the Paley Center) had only the first 30 minutes of the hour-long program on a kinescope provided by CBS - the only version CBS had. After nearly 30 years of searching, a copy of the complete program was found in 2003 by filmmaker Joseph Consentino, who was working on a documentary about noted defense attorney Robert Leibowitz (Leibowitz reported on the Charles A. Lindbergh baby kidnapping for the NY radio station WHN) and found a copy of the show in the archives maintained by the children of Leibowitz, Robert Leibowitz and Marjorie Leibowitz Finch. Samuel Leibowitz requested and received a commercial-free kinescope copy of "Twelve Angry Men" from CBS shortly after it aired because of his interest in legal issues. The Leibowitz children donated the kinescope to the museum and it had a re-premiere in May 2003.