电影讲述为了查明某BJ（主播）留下的奇怪影像的真伪，聚集在一个废弃建筑物里的5名主播们，各自对令人毛骨悚然的现场，真实地进行现场直播展开的故事。

本片是动画和真人相结合的影片，讲述一对姐弟玛拉（安雅·泰勒-乔伊 配音）和查理（加布里埃尔·贝特曼 配音）的冒险故事。当查理意外地消失在摩比世界动画宇宙里，玛拉必须去找到他并把他救回来。在这过程中，她结识了新伙伴——美食车司机戴尔（吉姆·加菲根 配音）、潇洒帅气的特工雷克斯·达舍（丹尼尔·雷德克里夫 配音）、一个忠心耿耿的机器人和一个仙女教母（梅根·崔娜 配音）。亚当·兰伯特则为大反派马克西姆斯皇帝配音。

篠田正浩が妻で女優の岩下志麻を主演に迎え脚本（富岡多恵子と共同）・監督を務めた歴史劇。撮影は鈴木達夫、音楽は武満徹がそれぞれ担当した。前衛的な作風が話題となり、カンヌ国際映画祭でパルム・ドールにノミネートされた。古代、邪馬台国のまつりごとは、神の言葉を聞くことのできる巫女ヒミコが司っていた。遠い国から帰ってきた異母弟であるタケヒコが逞しい男に成長しているのを見て、ヒミコの欲望は燃え上がった。他に恋人がいるタケヒコも、最初はためらったものの、すぐにヒミコを受け入れてしまう。国の長であるオオキミは二人のことを知り、ヒミコの信託に疑問を抱くようになるが、神の言葉を疑ったとして刺し殺されてしまう。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.