Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

女大学生圣山环菜在主播面试之后，刺杀了身为知名画家的父亲。因为她的外貌姣好，加上被逮捕后抛下的一句：「你们自己去查出我的杀人动机。」使得媒体不断渲染报导，为何前途光明的女儿会杀害了父亲？为何连她自己都不明白原因？同时，临床心理师真壁由纪受出版社委托，计划将圣山环菜的故事撰写成书，因而开始研究这起事件。一个狐媚般的女孩、感情关系复杂……当周遭人物对环菜的可疑处指证历历时，由纪却发现，在环菜身上有块缺失的关键记忆。若找到记忆中那段初恋，是否就能解开杀父的原因？

城市在恢复平静后，大反派重新召集旧部卷土重来，并勾结外星恶势力朗格试图称霸地球，忍者神龟莱昂纳多（皮特·普劳泽克 Pete Ploszek 饰）、拉斐尔（阿兰·里奇森 Alan Ritchson 饰）、多纳泰罗（杰瑞米·霍华德 Jeremy Howard 饰）和米开朗基罗（诺尔·费舍 Noel Fisher 饰）与女记者艾蓓丽尔·奥尼尔（梅根·福克斯 Megan Fox 饰）、韦恩·芬威克（威尔·阿奈特 Will Arnett 饰），及面具义警凯西·琼斯（斯蒂芬·阿梅尔 Stephen Amell 饰）并肩作战打击恶徒。在史莱德（布莱恩·泰 Brian Tee 饰）逃脱拘留后，他与疯狂的科学家巴克斯特斯·托克曼（泰勒·派瑞 Tyler Perry 饰）及其两个笨拙的左膀右臂猪面和牛头联合，发布了一个控制世界的恶魔计划。在神龟们与史莱德及其同伙对抗的同时，他们发现自己正面临着一个更邪恶的力量大反派格朗，神龟们面对的将是宇宙级的强大对手。

憧れの先輩・ミキオに愛の告白をした就活中の女子大生・レイ。人とは違った趣味趣向があるというミキオから、そのすべてを受け入れて欲しいと言われた彼女は、変態的行為を要求され…