18岁的叛逆男孩伊恩（萨姆•赖利 Sam Riley 饰）最喜欢做的事就是把自己关在房间里听着摇滚乐，对着镜子为自己画眼线。在他的眼中，家乡小镇死气沉沉，毫无出路，而喊出人生真谛的摇滚乐才会使得人的青春有着那么点儿乐趣。这日，伊恩前往伦敦观看著名摇滚乐队性枪手的演出。伊恩似乎天生就是为了摇滚活着，他在演出会现场结识了性枪手的三位成员，当时正在寻找主唱的他们认定了伊恩就是最佳人选。于是，男孩伊恩开始了他的摇滚之路。

故事发生在我国台湾。鱼仔（张雁名 饰）为重金所诱惑，替人刺杀某议员，不料流弹击中警员阿狗（陈恩峰 饰）的妻子美萍（白歆惠 饰），其女佩佩（陈诗颖 饰）受惊过度导制自闭，阿狗誓言緝拿凶手为妻报仇。四支被误为凶手遭警方击毙，但阿狗断定真凶另有其人。这天，鱼仔与阿狗不期而遇，并发现彼此竟是多年前的同乡，待他意识到鱼仔就是真凶时，鱼仔已泅水快速逃走。鱼仔诱拐了佩佩潜回久违的老家，年迈的父亲竟把佩佩看作多年前过世的女儿，令站在旁边的鱼仔泪盈双眼。女儿遭绑，生性暴戾的阿狗带鱼仔的妻小前往解救，经过一番良心的救赎，他们互换了人质......

美玲（马丽 饰）即将临盆，她的丈夫徐东（章宇 饰）只好将家中心爱的狗托朋友寄养到别处。马千里（张志勇 饰）是债务缠身的建筑商，他在穷途末路之际，偶然接收了徐东的宠物。不幸的是，这只狗的死亡让两个站在人生岔路口的失意者狭路相逢，满腔怒火的徐东在复仇的道路上屡战屡败，但却发现了马千里不为人知的一面。与此同时，美玲也意外的发现了徐东的秘密……不易熄灭的仇恨之火被点燃，熄灭仇恨的灭火器迟迟没有打开。东北虎在动物园里晒着太阳发呆，它似乎已经习惯了每天被饲养员扔下食物的生活。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb