莫子仪是个普通的高中生，他对生死问题有强烈的好奇心，对他而言，另个世界、空间，充满了无穷的吸引力。 自從班上來了位留級生陳文益——一個大家都不想理、也懶得理的人，小莫對他十分好奇；因為私底下同學們都流傳著這個對老師愛甩不甩的怪人，曾經自殺過……。 自从班上来了位留级生陈文益——一个大家都不想理、也懒得理的人，小莫对他十分好奇；因为私底下同学们都流传着这个对老师爱甩不甩的怪人，曾经自杀过……。 《最遙遠的距離》男主角莫子儀和賈孝國首度同台合演的作品，青澀的模樣仍掩蓋不住演技的光芒。 《最遥远的距离》男主角莫子仪和贾孝国首度同台合演的作品，青涩的模样仍掩盖不住演技的光芒。

19岁的少女寺泽弘子（渡边典子 饰）是一家婚姻介绍所的女秘书，某天所里接到一通电话，对方是关根集团董事长的遗孀恭子（长山蓝子 饰），她希望为自己的儿子昌和（渡边谦 饰）找到一位如意新娘。当恭子得知弘子姓名时，竟不假思索决定弘子为相亲的对象。会面之日，弘子得知，恭子只希望她假扮昌和的新娘十天，以代替因车祸骨折的真正新娘。看在巨额报酬的份上，弘子欣然同意，留在关根家位于山中的别墅内进行各种礼仪的训练。但随着事态的发展，她意识到关根家的背后似乎隐藏着更为黑暗的秘密……根据赤川次郎同名小说改编。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

先天聋哑人方圆的父亲方路军，患有精神疾病，失踪多年，近期，因犯杀人罪被警察通缉。警察上门调查，引出方圆一家三代人的离散命运。