羽仁进将本片定义为《初恋·地狱篇》有着强烈的指涉性，青春里所有的发生我们根本没有时间思考，没有时间去辨识我们获得的一切，所有的青春姿态都来自童年的境遇，神伊童年母亲的离家出走给了他很大的悲伤，导演以远方的烟囱和下坡的路径标记着他们生活里的相互远去，童年的种子在青春发芽，疯长的隔阂来源于童年所见识的母亲的背叛。

刚光复的台湾依然动荡,渔妇李甘妹(陸小芬 饰)抱着刚出生不久的儿子阿吉(齊秦 饰),却再也见不到流失于大海的丈夫.她下定决心,即使再苦,她也要离开渔村,离开大海,不让儿子走上他父亲的旧途.一生辛酸的李甘妹,从青春到迟暮,一直活在希望中,活在被大海漂去的生活中.幾近二十年了,她依然守望大海,等待她的儿子有一天能够归航,向他的母亲招手./

With realistic acumen and artistic expertise, ADIEU LACAN portrays the struggles of a young woman, Seriema, who is trying to understand why her path to motherhood has reached an unbearable impasse. Following two miscarriages and the possible loss of her marriage, Seriema travels to Paris in 1972 to undergo psychoanalytic treatment with the maverick French analyst, Jacques Lacan. Her analysis is an attempt to help her to disentangle the enigma of her question: why has motherhood become a seeming impossibility? Inspired by the story of Betty Milan, a Brazilian psychoanalyst and writer, it follows closely her own actual psychoanalysis with Lacan. Based on her play "Goodbye, Doctor" and her novel "Lacan's Parrot," in which Milan recounts her analytic work, ADIEU LACAN offers an insightful and accurate account of an actual psychoanalytic cure.—Mavis Himes

在一个配件厂兢兢业业许多年的钳工胡建林（大鹏 饰），偶然接到一纸调令，命他马上到集团总公司赴任。淳朴老实的建林还以为作为年年先进的他成为了集团树立奖掖优秀员工的典型，殊不知这却是一场阴差阳错走后门拖关系的狸猫换太子。人事经理马杰（白客 饰）虽然很快发现了这场乌龙，但为了避免遭到处罚，只能将错就错，想方设法保住这位不速之客。而在这一过程中，胡建林也因扑朔迷离的身份受到集团上下的种种揣测，他的层级也意外地一次又一次提升。与此同时，集团正处于大裁员的风雨飘摇时刻，而展现公司面貌的年会召开在即。处在漩涡中心的胡建林，终于发现了一系列诡异事件背后的玄机……