这是一部脑洞大开的科幻喜剧。三位分别来自中、美、俄三国的宇航员代表全人类将漂浮在外太空的一具外星人尸体接回地球。但返程途中，飞船被陨石击中。三人被困在飞船里，在忍饥挨饿等待救援的过程中，三人关于要不要吃外星人的问题展开了讨论。来自不同文化的饮食观、道德观在宇宙中碰撞。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

交际花（维多利亚·嘉丝蒂饰）经历了最严重的派对出丑…在她的生日周死去。让她惊讶的是，她得到了第二次机会来纠正自己在人世间的错误，重新与所爱的人联系，最重要的是，证明自己有资格进入天空的贵宾室。

重案督察西狗（张晋 饰）与搭档阿德（吴樾 饰）到某渔村追捕涉嫌多桩凶案的歹徒江贵成，却意外发现大量被虐杀的帮派分子尸体和数额惊人的黑市黄金，一场各怀鬼胎的混战因西狗和阿德的闯入变成了整个江湖针对两个警察的困兽之斗，随着调查，西狗发现拥有超高犯罪才智的江贵成竟然嚣张到要借十号风球的天威，谋划跨国掠夺一批价值超过五亿的海底黑金，自己和阿德竟也成了他计划中的棋子，不仅得不到警方支援还被通缉，就在此时，阿德被帮派绑架为人质，贵成已经出海，西狗必须独闯狂风怒海，当狂性被绝境激发，当兽性被贪欲操控，真相和善恶哪个更重？唯有血战八方才能力挽狂澜！