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1960年，小陈庄生产队领导权被暗藏的阶级敌人陈景宜（刘季云 饰）所夺，公社党委派何文进（李炎 饰）到小陈庄任支书，让他夺回印把子。阴险的陈景宜为了挤走何文进，使出用“分稻种”来划分敌我阵营的办法，并设鸿门宴促何文进上钩，何并不上他的圈套。他充分展开调查研究，当知道陈有才家生活困难，便带救济粮送上门，发现了陈景宜也让人送粮拉拢陈有才的鬼崇行为。共产党员胡素芳（田华 饰）清查保管员账目，遭敌人诬陷，大队长陈广清（高加林 饰）敌友不分，被陈景宜利用。经何文进苦口婆心做工作，受蒙蔽的陈有才擦亮了眼睛，在斗争最激烈的时刻，勇敢地站在了正义一边......

黑道大哥方叔（柯俊雄 饰）为人刚正耿直，忠勇仁义，为道上的兄弟所敬仰。当年他为保护兄弟，一个人顶下所有罪名，从此在监狱中度过了几十年岁月。出狱后，周围一切早已变了模样，当年的小弟们垂垂老矣，或退休，或经商，俨然与黑道没有任何干系。而黑社会的价值观也发生巨大改变，年轻的黑社会完全不把仁义放在眼里，在他们看来金钱胜过一切。方叔知道属于自己的时代早已远去，莫不如静下心来过好余下的日子。但他的女儿阿丽因疏于父爱而过分叛逆，成为一个小混混的马子。为了保护女儿，方叔不得不重新进入这已经变得十分陌生的纷乱江湖……

安安跟大多数中学生一样，好动又好奇。他会在同学的怂恿下，跑到风化区去探险。但他被无形的阴影笼罩着，他的父亲死于肝癌，遗传性的肝癌又夺去了妹妹的生命。母亲是他唯一的亲人，但是最了解他的却是他的同学阿丁。阿丁小的时候，母亲就跟别人跑了，他和妹妹成了父亲的出气筒 。阿丁在一场为安安打抱不平的争斗中，被殴，并为此被学校开除。 这时，安安发现自己已患肝癌，而阿丁发现他所暗恋的女友，竟跟她的老板上旅馆开房间。阿丁无法接受这个打击，他在和女友交涉未果，一怒之下失手打死了他。安安自觉活在世上无多长时间，向警方承认自己是凶手，替阿丁顶了罪。他的母亲为儿子四处奔 波，在法庭上为儿子辩护，最后安安 还是被判了死刑。他们结局又将如何？.....

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.