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创伤是一股塑造我们生命的无形力量。它塑造了我们生活的方式，爱的方式和我们理解这个世界的方式。它是我们最深处伤口的根源。加博尔·马泰博士提供了一个新的视角：在一个对创伤包容的社会里，家长、老师、医务工作者、政策制定者和立法者不是聚焦于纠正行为、下诊断、压制症状和判决，而是去理解行为和疾病背后的伤害人们灵魂的源头。

第1部分──一個普通的打工仔過著單調的生活。死亡天使告訴他死期到，地獄使者將會在午夜捉他走。第2部分──一個20來歲的普通女人被死亡天使判處死刑，5天後會去天堂。在別無選擇的情況下，她接受自己的死亡，並打算跟她的母親和朋友道別。但是，一種對生命的渴望，開始折磨著她。

传说清晨发出声响的森林，是妖怪的家。当失智的老妇（王琄 饰演）和妖怪们苦恼被遗忘的回家道路时，老妇遇见大学同窗王欣（谢琼煖 饰演），意外地掀开彼此化不开的过往，却也悄悄地解开妖怪的身世之谜，而神秘地森林位置也出现了线索。

A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.