日韩伦理电影

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

演员没有孔维一，我提供那版是按照片尾字幕来的。

1969年，三津木五郎在濑户内海的刑部岛遇见了正在寻人的侦探金田一耕助。那个时候，在渡轮港口，发现了一个濒死的男人。“岛上有恶灵，鵺鸟鸣叫的夜晚，要小心。。。“留下这句话他就死了。金田一从矶川警部那得知，此人正是金田一要找的男人。。。。根据横沟正史同名小说《金田一耕助系列之恶灵岛》改编。以饰演金田一的鹿贺丈史为首的演技派演员阵容，完美地演绎了错综复杂的人际关系。金田一追寻以濑户内海岛屿为舞台发生的被诅咒的连环杀人事件之谜的本格派推理悬疑片。

梁丽琴的未婚夫胡明林被指控杀害了贾磊，然而梁丽琴坚信自己的恋人是清白的，她偷偷潜入了恋人所住的红蝙蝠公寓暗中展开了调查。贾磊的太太陈希玛行为举止十分诡异，梁丽琴觉得正是她红杏出墙谋杀了亲夫，可是梁丽琴并没有确凿的证据。一次偶然中，梁丽琴发现邓希玛藏有一瓶毒药，这更坚信了梁丽琴觉得她就是幕后想凶手的信念。然而正当梁丽琴想要偷走毒药作为证据时，私家侦探艾东河阻碍了梁丽琴的计划，不仅如此，他还把一切都跟陈希玛和盘托出。陈希玛害怕自己的罪行暴露，于是联手奸夫老邓，两人约了梁丽琴来到家中做客，实际上是想要杀人灭口。