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Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

警员阿海（刘青云 饰）事业上精明能干，但与妻子（李若彤 饰）的关系十分恶劣，妻子更怀上了别人的孩子，婚姻濒临破裂。阿海在与歹徒搏斗的时候脑部中枪，自此失去了味觉。妻子全力照顾，两人的关系也开始转好。没想到该歹徒逃脱成功，并绑架了阿海的妻子要挟阿海出现，在枪林弹雨中与歹徒时，阿海才发现自己一生中最爱的人还是自己的妻子。歹徒挟持着妻子，并告诉阿海房间内已充满了煤气，只要阿海开枪便会爆炸，事实上阿海已经失去了味觉……

禁養寵物的公寓裡，房東兒子小洋無視母親的警告， 仍常跑樓上，與酒女房客的女兒晴晴偷偷來往。日漸 萌芽的童稚友誼，不顧住戶公約第一條的禁令，私自 豢養貓咪，也成為兩人獨有的約定。一日，晴晴無故 曠課，當小洋急忙跑回公寓尋找，卻發現刺鼻的奇異 怪味已悄然洩露門房背後的駭俗秘密。

这一天，院子里照例发生了惊天动地的大战。汤姆、杰瑞以及斯派克三方会战，屋里乱作一团，家具器皿飞来飞去。三个冤家从屋里打到屋外，没有停歇。突然，斯派克止住了他们。他觉得这种打打闹闹的日子太没意思，于是希望彼此握手言欢，从此休战。在他屋里震慑之下，汤姆和杰瑞勉强同意了。此后，他们像模像样地签订了和平条约，从此展开了充满温馨与关爱的新生活。比如汤姆会贴心地为杰瑞盖上被子，杰瑞会将斯派克垂下的舌头推回嘴里，斯派克则会早早起床准备早餐。遇到危险时，他们也会第一时间冲出来营救伙伴。只是不知道，这样的和平究竟能维持多久……