穆桂英挂帅第39集

大联合之后1998年，人类联盟刚掌握星际旅行技术，同时再也无法忍受来自宇宙的孤独，开始了名为《无归者计划》的大型宇宙探索行动，不为战争、不为资源，只为了证明人类并不是宇宙中唯一的生命。短片的故事发生在一颗名为“DK-3：青蓝巨人”的海洋星球上，这颗星球表面覆盖着大量的液态水，计算机演算后发现其孕育生命的概率竟高达5.2%。镜头将跟随SS-19号探测船一起从太空开始，进入DK-3内部，探寻其未知的深海...

这个故事深入探讨了几个女人隐藏的幻想。每个女人都通过各种关系与麦吉尼斯女士经营的企业建立了松散的联系。故事跨越一天；在那一天，我们看到每个女人如何通过屈服于梦中情人的要求来摆脱她的日常生活。

《翩翩》罗子浮沉迷酒色, 背妻流连青楼, 被不笑美人尽骗钱财, 投海轻生, 为狐仙翩翩所救. 翩锺情于浮, 为他诞下一子. 但浮本性难移, 轻薄花城娘子, 遭翩痛斥, 羞愤之下, 夜盗珠宝, 携子返回故居, 赫然发现妻子已含恨而终. 浮欲与翩修好, 惟翩心如止水, 弃薄情郎而去.《陆判》朱尔旦被友人戏弄, 到十王殿盗取陆判神像, 不料因祸得福, 获陆易心换肺, 高中状元. 旦人心不足, 嫌妻子貌样平庸, 陆遂把其妻人头与诗妓芸兰的人头互换, 旦欢喜若狂, 惟见妻子向友人卖弄风情, 即醋意大发, 恳求陆回复妻子本来面目, 陆允其请. 旦友人乘机求陆相助, 陆不胜其烦, 施法教训各人.《荷花三娘子》书院旁的荷花池出现一花仙名荷花三娘, 令道貌岸然的老师及门生皆大起色心. 其中书生宗湘若对三娘痴心一片, 同门宋生发现三娘为花妖, 延请术士捉妖. 若为救三娘致目盲, 三娘感若挚诚, 牺牲双目助若重见光明, 最后更借尸化为民女与他厮守.

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)