后营露营无增减2季

《触摸星空》展示了用于探索太阳系和外星系的旅行者号宇宙飞船深空探索之旅。本片追寻着美国宇航局探测器、轨道器和着陆器曾经的足迹，跟着到旅行者号宇宙飞船一起开启了一段从太阳系中心到其行星和卫星的表面，再到外太阳系的穿越太空之旅。凭借最新的高清图像和科学数据，通过真实影像资料和三维远景的运用，将观众和英勇的机器人旅行者一起运送到遥远的行星、恒星上探险。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.

A on-the-lam punk rocker and a young woman obsessed with his band unexpectedly fall in love and go on an epic journey together through America's decaying Midwestern suburbs.

80年代第一个仲夏，南方某城市的前进拖拉机厂，由于受以往浮夸风的影响和"四人帮"时期的破坏，产品积压，质量不合格，生产的新车卖不出去，退货的"死车"又堵了门。但就在全厂陷入"经济危机"的时刻，以红旗车间主任李保本为首的一伙人，却在老厂长妻子、组干科科长刘雨芳的纵容下，为红旗车间命名20周年大搞庆祝活动，搭彩牌楼，张灯结彩，为迎接红旗车间出身的元老们回厂参加庆祝活动而忙碌着。副厂长蔡明，不仅不介入这种形式主义的做法，反而当着农机局张局长等元老们的面，正式向老厂长王开济提出修复"死车"，挽回厂誉，不占用生产时间搞庆祝活动等几点建议，这得到了张局长的称赞和王开济的支持，但却遭到了刘雨芳、李保本等的抵制。因此，当他着手组织修复"死车"时，要钱没有钱，要料没有料，要人不给人，甚至老厂长为他写了"手谕"叫各部门配合他工作，也都无济于事。蔡明在压力面前并不气馁，他首先以巧妙灵活的手段解散厂业余宣传队，成立了修复"死车"的技术服务队，并带领他们下乡。又派他的女朋友、技术员徐艳赴上海采购价廉物美的柴油机，毅然决然地甩掉了"亲家厂"的束缚。在副总工程张杰的积极配合下，终于试制成功了质量好、价格便宜的新型拖拉机。蔡明还依靠全厂职工代表大会的力量，以诚恳的态度帮助老厂长揭出了红旗车间谎报产值问题。老厂长王开济真正认识到蔡明是一个可以信赖的接班人，他以豁达的胸怀，明智的态度，摆脱了陈规旧习的阻挠，把厂长的职权交给了年富力强的蔡明。