晓朝夕 电视剧

Andy Warhol′s Screen Tests were filmed from early 1964 to November 1966. Factory visitors who had potential "star" quality would be seated in front of a tripod mounted camera, asked to be as still as possible, and told not to blink while the camera was running. Warhol manipulated light and shadow in increasingly inventive ways to capture the appearance, style, personality, and mood of both famous and lesser-known visitors to his studio, the Factory. His subjects included Dennis Hopper, Gerard Malanga, Edie Sedgwick, Susan Sontag, and Salvador Dalí. Although each film was shot at standard sound speed, or twenty-four frames per second, Warhol specified that prints be projected at a slower speed of sixteen frames per second, a rate used in the projection of silent films. The result is an unusual fluidity of pace, a rhythm gently at odds with the starkness of the lighting and the boldness of the close-ups of face and hair.In total more than 500 Screen Tests were made. Helmut was the seventh.

當活着比死更需勇氣，十二個少年來到荒廢醫院，進行本以為是12 比0 的投票，通過後便可集體自殺，卻發現房間多了一具屍體，必須找出兇手和企圖破壞契約的潛入者。劇情以新本格派推理展開，同時進行「十二怒漢」式針鋒相對。原來再厭世，內心極渴望別人聆聽自己故事。每一個都可疑，每一個都隨時被說服，結局示範最令人心悅誠服的反轉。《20 世紀少年》（2008-09）、《愛的成人式》（2015）導演堤幸彥巧妙觸碰少年自殺的禁忌，像補完計劃般置諸死地，在絕望深淵，一次擁抱可拯救一個靈魂。

一只可爱的拉布拉多犬被选去接受导盲犬的培训。为了让它与人类建立感情，它被寄养在一对夫妇的家里，因为身上有一个棕色的胎记，像一只飞翔的海鸥，便给它取名小Q。训练十分艰苦，但小Q还是成为了导盲犬，认识了第一位主人渡边先生，可是渡边先生却怀疑。情况刚有了好转，渡边先生却病倒了，小Q只好回到了训练中心。小Q已经在训练中心度过了7年，这时它又能回到了“养父母”的家了，可是它却患病了……

这是一部历时十年拍摄的纪实电影，真实纪录了2008年“5.12”汶川大地震之后，夕格、直台两个羌寨的700多位村民，离开世代居住的山寨迁往他乡，九年后回乡祭祖请神的悲壮历程。迁徙与回归路上，人与祖先、人与神灵的悲欢离合，令人感慨动容。影片涵盖了我们对人生的诸多思考：今天，我们同样“迁徙”于城与城、城与乡之间，我们何以为家？如何心安？内心渴望获得的诸多期许，也许，都能在这部影片里得到回应与启示。