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骆海天、罗豪及杜伦三人筋疲力竭地背着背囊向前走。是夜结识了万人杰，其原是吉林有名的捕快，已年老隐居。年老的采参人陈大叔与女相依为命，依靠女儿绵绵捕貂度活。恰遇骆、罗及杜三人，收留于家中，陈大叔独对杜伦生好感，暗中欲掐为婿，并将久藏之两支老人参作女儿嫁妆，为人阴险的骆海天偷窥到，暗中想计策破坏……

Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.

查克（汤姆?汉克斯 Tom Hanks饰）任职于美国联邦快递，他系统工程师的职业决定了他的生活忙碌、自律、充满时间紧迫感。而查克总能把一切工作都井井有序的安排在每天的日程里，时间就在他的控制之下。他无暇顾及的只是女朋友凯莉（海伦?亨特 Helen Hunt 饰）。一场飞机失事改变了这一切。所有人都以为查克丧生于这场灾难中，然而事实上他活了下来，被困在一个荒无人烟的小岛上。荒岛上的生活就连吃喝都成问题，查克成为了现代鲁滨逊。但另一方面，他在这里却因为与大自然依存，与险境搏斗，与孤独作伴，与饥饿抗争，得到了以前从来没有领悟到的感受。当他回到现代社会时，人生有了新的开始。

丁善玺编导的本片，继《英烈千秋》后，叙述1937年8月13日日寇侵略上海，中国88师524团团长谢晋元，为牵制日军，掩护中国军队后撤，率领480青年军官，号称八百壮士，固守四行仓库，达三个月之久。军人英勇杀敌，女童子军冒着生命危险给守军输送食物、医药，当牵制任务完成，守军越过苏州桥后撤。本片的格局手法与《英烈千秋》完全不同，只限于几成孤岛上海的苏州河畔的四行仓库，数百中国军人与包围的日军进行阵地战。导演根据史实，利用四行仓库周围有英法租界，苏州河对面又是国统区，苏州河两岸战争与和平不同环境造成的戏剧冲突，表现了爱国军队抗击侵略者英勇无畏的精神，和上海人民声援国民党守军的时代气氛。导演把握住双方冲突的因素，安排丛生的险象，利用国军在枪林弹雨下游过苏州河，民众都为军人担心的正反打镜头蒙太奇剪接手法，形成扣人心弦的场面，把剧情推向高潮。本事件曾于1938年搬上银幕，是默片，由阳翰笙编剧，应云卫导演，袁牧之、陈波儿主演，是抗战时期“大后方电影”中较为著名的一部，其中女童子军冒死为壮士们送国旗的细节，具有极为悲壮的感染力。影片在当时的大后方及香港极为轰动，而且在东南亚甚至西欧都得到热烈反响。