橘梨纱作品快播

「垃圾」一詞是相對的，但是多數人對垃圾的定義是絕對且刻板的，而「垃圾人」這種人的定義，也是相對的，相對於人類避垃圾而不見即謂之消失的鴕鳥心理。影片以活潑可愛的調性，將兩位主角遊走在城市之間如何看待垃圾的特殊觀點帶出，進而連結兩人對垃圾之情與家人之間的微妙關係。“Trash” could be so relative that most people have stereotyped definitions about rubbish. For some people, trash could be somehow treasurable. As a production designer for short films, I started to observe trash in the cities and collected them as my own properties for those low-budge films.获奖情况：2012年 入圍第九屆韓國首爾綠色電影節2010年 入圍香港亞洲電影節入圍紀錄片新世代單元

Nanjo Mikisaburo is a young samurai trying to restore his ruined family to its past glory. Enduring the contempt and disdain of high-ranking samurai, Mikisaburo devotes himself to the way of the warrior, mastering the literary and martial arts. His master Kurahashi Jupeita's daughter Misao feels for Mikisahuro who maintains his pride in the face of the arrogant samurai's scorn. She sympathizes with and encourages him. However this sympathy ignites a passionate love for her in Mikisaburo. One day Mikisaburo's mother is walking along the road. Hayami Genzaburo, the son of a chief retainer, and his escorts are galloping on horseback. Genzaburo's horse kicks Mikisaburo's mother and she dies. Next, Mikisaburo returns home to find that his sister has been violated by Genzaburo. Finally, the object of Mikisaburo's love, Misao, becomes Genzaburo's wife. His mother, his sister, and finally Misao. Mikisaburo's young blood boils and flows backwards.

在《两个遥远的陌生人》中，漫画家卡特·詹姆斯多次试图回家陪伴爱犬，却被一次又一次的致命遭遇阻挠，糟糕的一天开始周而复始地上演。

改编自H.P.Lovecraft的小说《查尔斯·德克特·沃德案件》，标题则取自爱伦坡《厄舍府之倒塌》中提及的诗歌闹鬼的宫殿。