97版尼基塔女郎

2018年4月起，敦煌壁画古乐器复原开发项目启动。该项目历时8个月，由全国各地的民乐制作大师仿制敦煌壁画古乐器97种，245件，将壁画乐器图形做成实物，“复活”千年敦煌音乐盛景。纪录电影《敦煌乐器——乐从画中来》基于此次乐器复原制作，记录了乐器由图形成为设计图纸，再成为实物用于演奏的全过程，讲述了琵琶、花边阮、箜篌、雷公鼓等敦煌壁画乐器的前世今生，成为这项抢救性复原开发工程的见证。

在并不遥远的近未来，科学界终于揭示了一个足以震撼世人的秘密。看似永恒不动的月球，原来竟是非自然产物，而且一股神秘的力量正在操控着它，以不可逆转的势头撞向地球。布莱恩·哈珀（帕特里克·威尔森 Patrick Wilson 饰）曾是一名资深宇航员，但是最后一次行动以诡异的方式失败，他在外太空的所见所谓似乎也触动了某些人的神经，最终导致他被扫地出门，妻离子散。另一方面，在航空局当保洁工的KC·豪斯曼（约翰·布莱德利 John Bradley 饰）虽然身份低微，却是对航空有着无与伦比痴迷的民科。他最先注意到月球生命体以及月球坠落趋势的存在，而他的发现最终得到了布莱恩以及布莱恩前搭档乔·富勒（哈莉·贝瑞 Halle Berry 饰）的认可。为了拯救地球，这三个渺小人类朝着来势汹汹的月球发起反攻……

2016年伊始，大龄女青年王招（任素汐 饰）离婚后发现自己怀了前夫的孩子，然而此时非婚生子女尚不能登记户口，千方百计想留下这个孩子的她，在姥爷（李保田 饰）的热心“帮助”下，开启了一段阴差阳错的“寻汉”之旅……

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.