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導演：羅熾動作設計：陳木川演員：陳木川.李中堅.馬場.康照明.沈松村.張宗貴.項美龍.戴良.胖三.裴德雲台灣世紀cult片王followers必睇之作天殘地缺套戲太cult啦，佢個戲名改得十分貼切，戲中兩個殘缺主角，一個俾大奸角斬斷雙手，竟然會生番一隻小手仔出黎。另一個俾大奸角用腐蝕既液體廢左雙腳，以前有D咁勁揪既腐蝕極毒液體，犀利、犀利。兩個殘缺人溫左個鐘意摺埋自己係蒸籠入面既騎呢師父教佢兩個功夫，又係犀利、犀利。無手果個又游水、又打水、仲耍棍添，廢左雙腳果個用屎忽都可以打得死人，認真cult到爆。到最後梗係兩個殘缺人同大奸角上演一場超B級生死大戰……

银魂完结篇即将上演，坂田银时（杉田智和 配音）在影院抓住一个盗录的电影小偷，谁知刺眼的白光之后，他却被带到一个颇有些陌生的世界。不远处的江户，曾经的繁华早已不再，高楼大厦已变成没有人居住的废墟。原来此刻银时正身处五年后的未来，过去的岁月里，名为“白诅”的神秘病毒恣意蔓延，导致世界濒临毁灭边缘。他在荒芜的街道见到了飒爽英姿的志村新八（阪口大助 配音）和武功高强的神乐（钉宫理惠 配音）。似乎未来世界的银时当初为调查白诅而意外死亡，新八与神乐继承了他和万事屋的遗址，与一切恶徒作战。化名阿珍的银时回到破败的街道和朋友们身边，此时他仿佛背负起改变黑色未来的重大使命……

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

龙仔，是龙形拳掌门人余英年之独子，原是学武材料，偏是正途功夫不学，专学偷机。余英年患有难言隐疾，三年必发一次。今日猝然再发，己是十八年来第六次。这时，忽来一名神秘白衣士上门挑战，余英年带病迎战，败在白衣秀才手下，及后伤重去世……