逆天

In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.

讲述一恶霸遇到一善良女子，顿起色心，强逼未遂之后，居起杀心。该女子死后化为一鬼，附于一琵琶上。幸遇一书生，对其述说冤情，并在其帮助下，前往开封府寻找包拯包青天大人伸冤。

1979年，罗马梵蒂冈教廷意识到和恶魔撒旦有着莫大关系的一名女婴诞生在纽约，二十年后，距离本世纪还剩最后三天的12月28日，撒旦（加布里埃尔·伯恩 Gabriel Byrne 饰）以一名人类银行家的肉身重现人间，丧失了妻女的前任警察杰瑞克（阿诺·施瓦辛格 Arnold Schwarzenegger 饰）和自己的安保团队受雇于伪装的魔鬼，为其提供保护。不久一名神父冒死狙杀撒旦，不幸失败，他在临死前向布瑞克提出警告。布瑞克与同伴按照神父留下的线索找到了女子克里斯汀（罗宾·汤尼 Robin Tunney 饰），得知她是命中注定要与撒旦结合的女性，如果撒旦能在千禧之夜和克里斯汀发生关系，那就意味着世界的毁灭。布瑞克决定不惜一切代价以人类的身份阻挡撒旦……

A melodrama about a professor under psychiatric care because of a mental breakdown due to the stress brought on by an extramarital affair.Baeksang Fine Arts Awards (1973): Best Director (Kim Ki-young) / Best Actor (Nam Koong-won)