羽野理沙

故事发生在九十年代初的上海。身体羸弱的王双玲（宋晓英 饰）是潘家弄小学的教师，最近她接手一个全校有名的乱班。以路明（唐黎 饰）为首的调皮捣蛋学生搅乱了全班秩序，常常把课堂闹成一锅粥。丈夫大刘（丁嘉元 饰）非常担心双玲的身体，但双玲有决心改变班级面貌。李小朋（张宏伟 饰）出身富有，却沾上不少坏习气，后因父亲违法被判刑，双玲怕他走歧路领回自己家中暂住。周丽萍（杨津 饰）母女因遭父亲遗弃，承揽全部家务的她常因迟到遭同学嘲讽。路明的母亲（陈鸿梅 饰）因儿子的腿被校车轧断，跑到双玲家大闹。丽萍因家暴出走，双玲冒雨连夜寻找，她的无疆爱心深深感动了孩子和家长......

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

在一场深夜车祸中，王人杰与一名年轻女子同行，女子因为酒驾而惨死，而王人杰则患上了失忆症。他时常被病痛和女子的冤魂所困扰，只能依靠心理治疗来维持生活。在女心理医师李雨虹的帮助下，王人杰终于找到了一份夜班守卫的工作。然而，他所工作的地方是一座废弃的“福宝阁”，而这座“鬼屋”似乎有着诡异的过去。午夜时分，王人杰按照约定来到“福宝阁”上班，而这座鬼屋的冤魂也如约而至。随着故事的发展，王人杰和“福宝阁”的冤魂之间的联系逐渐浮出水面，一个涉及姐姐的复仇计划正在酝酿之中。谎言、秘密和背叛交织在一起，使得故事的真相更加扑朔迷离。这个故事融合了心理治疗、失忆、灵异现象和复仇等元素，充满了不可预知的转折和惊险的情节，让人无法停下探秘的脚步，直到揭开所有谜团的最后一刻。

1986-1987年，根据手冢治虫宏图巨作漫画《火鸟》，改编的三部动画以OVA形式，由角川书店出品了。包括：《凤凰篇》、《大和篇》和《宇宙篇》。《凤凰篇》片长60分钟，片子以茜丸和我王的偶然相遇开始，前者是有为青年雕刻师，以寻找真正的凤凰为目标正欲离开日本远行（有为程度可媲美玄奘了）；后者是独臂的职业匪徒，杀人越货，性格残暴。两人遭遇时，不可理喻的我王砍伤了茜丸的右手，过后他们各自踏上自己的轨迹，有为青年的寻找旅程夭折于官员粗暴无情的权势之手，他不得不留在日本为掌权者雕刻佛像；我王在误杀了对自己报恩的女子之后，失魂落魄，隐居深山，开始用雕刻来救赎自己的灵魂……