描写张柏芝的黑森林

正在进行修业之旅的小智（松本梨香 配音）、小刚（うえだゆうじ 配音）、小遥（KAORI 配音）和小正（山田ふしぎ 配音），在前往下一个城镇的路上迷失方向。口渴难耐的他们在荒野中偶遇巡回表演的美丽少女洋美（眞鍋かをり 配音）及其所在的玛丽娜剧团，于是随着她们展开愉快的旅行。洋美是水之民的后代，她们此行的目的是将曾被海盗凡顿•绰普（藤岡弘 配音）夺去的苍海王子的蛋送回海之神殿，神殿内则藏着水之民的珍宝海之王冠。邪恶贪婪的凡顿岂能甘心失败，他将与洋美、小精灵护林员杰克（山寺宏一 配音）以及小智一行展开激烈的正邪争夺战……本片为神奇宝贝系列第九部电影剧场版。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

ヤクザの熊吉への一宿一飯の義理から、やむなく若いヤクザ・宇之吉を斬った座頭市だが、熊吉の狙いが宇之吉の姉・お袖にあると知った市は、彼女を連れて逃げる。佐藤允が市のライバル役で登場。

「九龍皇帝」曾文財遇上「轉世看門狗」柯少一，並警告他將面臨殺身之禍。全因土瓜灣榮光街遭社區優化局納入重建範圍，準備進行清拆工程，而該處地底封印着曾文財祖宗四百年前殺害的戰後亡魂——廣德公主。這位厲鬼公主誓要將二人與土瓜灣的舊建築一起安葬。半信半疑的柯少一，就與阿財踏上斬妖除魔之路。本片乃鮮浪潮中，一直甚為罕見的天師捉妖式類型片體裁，玩味十足之餘，拍攝團隊可謂扭盡六壬，每場的喜劇和動作設計得滑稽絕妙，精心炮製出一場意想不到的人鬼大戰。