从厨房一直弄到卧室

这起初是一场闹剧。一位因疫情隔离在家的台湾女孩在房间里遇见奇怪事：家里的灯不断闪烁、买来的油画忽然转动眼睛、家里出现莫名其妙的东西......女孩决定打电话给新北市的驱邪热线求助。驱邪大师为她远程驱邪，但慢慢发现事情的发展远不是女孩所期望的那样......

主人公是个贫困青年，一天，侵吞机关公款的官吏来访，决定在服刑之前把自己私吞的公款存放青年那里。因为这个官吏亲眼目睹了青年杀人的现场，所以青年不敢把这笔公款报告警察。然而，这个青年因为失恋，失去了生活的目标，于是想把公款挥霍一空，然后自杀。他开始过上了从前梦想的用钱征服女人的生活，他象对待奴隶一样对待每个女人。但这种喜悦是徒劳的。影片拍摄的时代，是日本经济正处于高峰时期的“黄金时代”。人们被经济的发达、生活的富裕搞得不知所措。昨天还是失败者和穷人，今天就变成梦想中的富人，生活的急速转变把人们从正常的心理轨道上大力抛出，人们莫名其妙地发现了自己的喜悦。大岛渚正是看到了这一现实，并敏锐地发觉其中蕴藏的绝望和无助，于是拍摄了这部讽刺和警告的影片。这部让很多影评人失望的影片最大的遗憾是过于程式化和概念化，以及大岛渚对《青春残酷物语》等前作的的关联和模仿。不过，影片在上映前遭到警视厅的严格审查和删减，完整性已经受到很大的破坏，恐怕也是影片并不成功的原因之一。

那里的孩子，来自孤独的遥远星球。他们就是被冠以“孤僻”、“自闭”等刻板印象的特殊人群，自闭症者。在本部纪录片中，我们称自闭症者为“遥远星球的孩子”。本片拍摄耗时两年多，将从自闭症的定义出发，深入走进自闭症者生活中的点滴细节，从医学、伦理、道德、家庭、生活、工作、梦想等多种角度出发，探索自闭症者独特的心灵宇宙。他们不是特殊的神秘患者，而是拥有与众不同感知方式和思维逻辑的独特个体，是来自遥远星球的孩子。由陈国富导演担任出品人，台湾金钟奖获奖导演沈可尚执导的公益纪录片《遥远星球的孩子》，感人肺腑催人泪下，以一种前所未有的视角和路径探讨孤独症这一至今无法完全解答的谜题。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.