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故事起源于十五年前一个家庭一直竭力保守的秘密，要掀开被遗忘、被剥夺的记忆，同时要制裁自己最信任的亲人。刚由外国返香港嘅实习护士樊雪儿因为一宗蝴蝶刀连环杀人案，怀疑15年前母亲的死有可疑。在心理学权威教授大哥樊博权的催眠治疗同另一个阿哥樊承天帮助下，进行回忆潜行。深入过去的黑暗世界，揭开母亲的死亡真相。追溯一段段扑朔迷离的回忆时，危机逐步逼近。爱的尽头迎来的竟然是善恶颠倒的开端。

桐壶帝（花川蝶十郎 饰）宠妃更衣遭到其他嫔妃妒嫉，为免更衣之子遭人陷害，桐壶帝将其降为臣属，赐姓源氏。光源氏（花ノ本寿 饰）风流倜傥，文采横溢，但仕途坎坷。故而他自幼徘徊于红花绿草中，乐此不疲。与原配妻子葵姬的感情不和，他转而追求父亲的妃子藤壶（芦川いづみ 饰），光源狂热的追求换来藤壶感情上的痛苦。最终这不伦之恋令藤壶产下一子，桐壶帝则视同己出。期间光源氏四下追求各类女子，空蝉、夕颜、六条妃子等皆在他的生命中留下重要痕迹。进香之际，光源邂逅藤壶的侄女紫姬（浅丘ルリ子 饰），最终将年幼的紫姬带回府邸抚养，将其培养成心中理想的女性。爱情虽然甜蜜，却仍要承受别离的痛苦，风光无限的光源氏更要亲自面对每一次的别离和失去……本片根据日本同名古典小说改编。

《百花深处》是陈凯歌执导的一部历史短片，由冯远征、耿乐等人主演，讲述了老北京冯先生请搬家工人“搬家”的故事。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.