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1950年代，合作化时期。复员军人刘杰（张子良 饰）回乡后与贫雇农办起农业社，走集体化道路，不料被县委书记安振邦（范莱 饰）指责为无组织无纪律，刘杰很是苦恼。身为村长的王金魁（仲星火 饰）不顾广大贫雇农利益，一心考虑个人发家致富，他拉拢一帮实力雄厚的富裕中农办起另一个农业社，跟刘杰的穷社唱起了对台戏。团支书杨依兰（王云霞 饰）非常看不惯村长的嫌贫爱富，她坚定地站在刘杰一边。刘杰针对当时农村出现的情况，决心写信向党中央反映，他的想法得到贫雇农的支持，收到信后中央非常重视，特委派副省长（于飞 饰）深入基层调查处理。结果，犯严重官僚主义错误的安振邦受到严厉批评......

上古洪荒时代，流传著神奇的冒险故事。“万兽王”达尔即是这个时代的英雄。达尔出生皇室，却被巫师亚刚追杀，流落民间。他成人不久，养父就被野蛮人杀死，但他也发现了他能与动物交流的能力。同时，他必须阻止巫师亚刚拿到“布朗斯之眼”。因为一 旦亚刚拿到此颗宝石，邪魔恶神布朗斯将重返人间，助亚刚王为恶，荼毒生灵。为了取得布朗斯的魔力，亚刚绑架了达尔的亲兄弟——泰尔王，兄弟情深的达尔誓言救回兄弟，为父报仇，他带领著忠心的动物军队以及军师塞斯向亚刚王宣战。达尔将和这位神秘没测的魔头刀锋相对决一死战。

王启聪（陈奕迅 饰）和李耀庭（郭富城 饰）是互不认识的重案组探员。聪大大咧咧不修边幅，庭辣手灵敏自命不凡。两个性格各异的警界精英因为一宗案件聚到一起，女警冯宝宝（郑希怡 饰）暂时成为他们的上司。这宗案件由KEN（黄品源 饰）引发，他和女友打算盗窃一件价值连城的珠宝，还商量到手后就隐退江湖。结果却是螳螂捕蝉黄雀在后，他们盗来的宝物被另一伙人看上，他们追杀并捉走了KEN，女友则带着珠宝幸得逃走。她向警方提出要求：她愿意用这条项链，换回KEN的安全回来。警方开始追查绑架KEN的黑帮。其间聪、庭和冯宝宝却意见各异冲突不断。案件的侦破困难重重。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.