花城谢怜厄命扩张

深夜的怪谈大会，招来群妖无尽的诅咒！长颈女妖、单眼怪伞、无脸妖怪……《大魔神》、《座头市》、以及《眠狂四郎》系列导演安田公义代表作。片中聚集了榨油鬼、辘轳首、油腻老先生、以及大头怪……等日本知名妖怪。渡边宙明所创作的妖怪现身配乐，独特的氛围更为之后东映推出电视特摄片系列所沿用。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

清同治三年的1864年，假太监安得海自恃得西太后慈禧（刘晓庆）的宠爱，在朝中为所欲为，连同治皇帝（陈道明）也不放在眼中。当得知同治皇帝与宫女桂莲（巩俐）相好时，有心染指桂莲的他求得慈禧恩准，以将桂莲赐配给他“二哥”为名，想逼其与他成婚，不料桂莲性烈宁死不从，安得海恼羞成怒，将她卖进了天桥妓院。同治皇帝敢怒不敢言，私访天桥妓院，并借安德海南下之机，传旨山东巡抚丁宝桢将其就地正法，与慈禧嫌隙渐深。得知同治染上梅毒后，慈禧不准皇后生育，同治含恨而死，不久，皇后自尽，东太后慈安（陈烨）也神秘驾崩。

如是我聞。不旅行的人絕無快樂，羅希塔！活在人的社會，最善良的好人也會變成罪人……那麼，流浪去吧！流浪者的雙足宛如鮮花，他的靈魂成長，修得正果；浪跡天涯的疲憊洗去他的罪惡。那麼，流浪去吧！他的福份跟他一起作息，跟他一起站立，睡眠，如影隨身和他一起移動。那麼，還是流浪去吧！— 大神梵天曉諭一個名叫羅希塔的青年，摘自婆羅門書本舞由赫曼．赫塞根據佛傳故事改寫的小說「流浪者之歌」出發，刻劃求道者虔誠渴慕的流浪生涯。