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内蒙古图尔布山谷举行一年一度的围猎活动。青年牧民旺森扎布自愧没有打到猎物，便偷了神枪手吉日嘎朗猎获的 子为己有。不料被一少年猎手发现，向巴雅斯古冷告了秘。巴雅斯古冷是个严肃而有威望的人，他按照成吉思汗制订的猎场扎撒法规处罚了旺森扎布的错误行为。旺森扎布羞愧万分，跪在钉著 子头的马桩前接受老母的鞭笞。旺森扎布的哥哥陶格涛错怪巴雅斯古冷使他家蒙辱，发誓报仇泄恨。一夜，他引狼群闯入巴雅斯古冷家羊圈，造成极大损失。翌日，巴雅斯古冷携腰刀沙枪只身入狼穴除害，不幸陷入狼群包围之中。危急关头，吉日嘎朗和旺森扎布赶来相救，自此三人又恢复了友谊。陶格涛还不罢休，又挑拨巴雅斯古冷与吉日嘎朗的友谊。巴雅斯古冷受到蛊惑，在一次围猎中偷偷拣了吉日嘎朗的 子。一天，陶格涛家突然失火，巴雅斯古冷的妻子格日乐冒险冲进火场，抢救出陶格涛的母亲。深受感动的陶格涛坦白了自己错误的报复行为，请求巴雅斯古冷宽恕。巴雅斯古冷也深受感动，割下偷猎的 头挂在马桩上，跪下请求吉日嘎朗责罚，陶格涛与旺森扎布也都跪下。这时，吉日嘎朗打掉马桩上的 子头，四个人拥抱在一起，言归于好。

在都市内出现了连续女性被杀事件。经警察调察，犯案者是异形怪物，而主角·风祭真因为一直发着相关事件的梦而备受困扰……风祭真的父亲是遗传学研究所里的科学家。而真则自愿成为了研制不治之病的实验品，但却被疯狂的科学家·鬼塚实行的现阶段最危险的生化实验·Lv3的遗传因子操作实验而变成了生化战士：真·假面骑士。但鬼塚最大的目的就是要将真供幕后BOSS·“财团”作为军事武器。真最后逃出了『财团』的魔掌，并且与“财团”的超级改造战士·豪岛展开生死战！

活泼的小女孩秀兰?布雷克（Shirley Temple 秀兰?邓波 饰）生在一个普通的家庭，虽然家境平平，但充满了快乐和幸福。秀兰平日随妈妈（Lois Wilson 饰）在苛刻、尖酸的史密斯家里帮佣，闲暇时便和飞行员爸爸及其教父詹姆斯（James Dunn 饰）一起玩耍。然而，这样渺小的幸福也稍纵即逝。爸爸在执行任务时死于空难，妈妈也被车祸夺去了生命。原本快乐的秀兰转眼之间成为孤儿。史密斯家打算将她送进孤儿院，而詹姆斯决定收养这名可怜无助的小女孩……

〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains