From filmmaker Victor Kossakovsky comes an epic, intimate and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction – and offer hope for survival and a way forward. Centering on a landscape project by the Italian architect Michele De Lucchi, Kossakovsky uses the circle to reflect on the rise and fall of civilisations, capturing breathtaking imagery from the temple ruins of Baalbek in Lebanon, dating back to AD 60, to the recent destruction of cities in Turkey following a 7.8 magnitude earthquake in early 2023. Rocks and stone connect the disparate societies, from ghostly monoliths stuck in the earth to tragic heaps of concrete rubble waiting to be hauled off and repurposed anew. Through Kossakovsky’s inquisitive lens, the grandeur and folly of humanity and its precarious relationship with nature posits the urgent question: How do we build, and how can we build better, before it’s too late?

为了探明日本列岛一系列的异常地壳运动情况，地球物理学者田所雄介博士（小林桂树 饰）与助手幸长信彦（泷田裕介 饰）乘坐小野寺俊夫（藤冈弘 饰）驾驶的潜艇出海考察。在小笠原群岛附近的海沟处，海底莫名其妙的乱泥流令博士忧心忡忡。经过对各方材料缜密慎重的调查，田所博士作出一个震惊全国乃至世界的预测“由于地球变动，日本即将在两年之内完全沉入海底”。他的预测起初并未得到政府的完全信任，然而在此之后各地强烈地震相继爆发，休灭火山也重新喷发，事态正以出乎意料的速度恶化。在这个与世隔绝的岛国，人民陷入前所未有的疯狂之中……本片根据小松左京的同名原作改编。

富商叶世昌（万梓良 饰）无故失踪，他的太太雷茵（王祖贤 饰）委托探长马如龙调查此案，然而，几天之后，叶世昌自己回到了家，虽然一切看起来已经风平浪静，但雷茵却隐隐的察觉，自己的丈夫无论是说话还是行事都和从前有着天壤之别，判若两人。叶世昌和黄茵的表姐黄玲（吴家丽 饰）有了私情，这让雷茵感到十分愤怒，与此同时，雷茵的家庭医生赵明（黎明 饰）向雷茵表达了爱慕之情。不久之后，赵明死于非命，紧接着，黄玲也命丧黄泉，这让雷茵感到四面楚歌危机重重。在墓地里，叶世昌突然兽性大发想要取雷茵的性命，直到此时，雷茵才向马如龙承认了一个惊人的秘密。

Miyako is a frustrated insurance saleswoman stuck in a major dry spell. She tries every trick in the book, including aggressive flirting, which gets her plenty of gropers but no buyers. One day while venturing down a narrow stairwell, she injures her ankle and happens upon Mitsuru who works for some mysterious foreign company. Decked out in high goth style -- complete with long inky black hair and mascaraed eyes -- Mitsuru cuts quite an odd figure, yet his seductive though menacing ways make him difficult for Miyako to resist. Escorting her to his office to treat her ankle, Miyako notices that his all-female staff seem more glassy-eyed and soul-deadened than the average office workers. In fact, they seem almost like zombies. Later, weird things start happening. Mitsuko finds vomit on her doorstep, she seems to be tailed by a shadowy woman in a red dress, and most strikingly, she finds herself utterly powerless against Mitsuru's advances. Soon she is offered a job at Mitsuru's office among the undead and the damned. Does Miyako's potential new place of employment at least offer stock options in exchange for her soul?