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神级老千异耳的儿子道日出（朴正民饰）结识了一只眼睛失明的神秘老千独眼（柳承范饰），从而进入了真正的高手世界。以独眼为首的众多技能派赌徒纷纷接到了能够改变命运的邀请牌“独眼杰克”，开始了一场生死赌博。

以《滚过来，超常现象》系列书而自以为名声大噪的东京科学技术大学教授上田次郎（阿部宽饰）是一位物理学家。机缘巧合之下，他与落魄的魔术师，曾经日本第一的魔术师山田刚三的女儿，山田奈绪子（仲间由纪恵饰）成为伙伴。二人不断被卷入声称是超能力者的灵异事件中，但在二人的努力下，都最终解开对方设下的“圈套”。这一天，奈绪子再次被魔术团开除，一对自称来自糸节村的男女找到奈绪子，邀请她到村子假扮神明。村中有传言，每300年有巨大的乌龟移动的时候，神明会出来拯救村子。而上田次郎在参加酒会时候遇到了杀人事件，死者留下的神秘讯息也指向糸节村。到底村子隐藏了什么秘密？2002年上映的《圈套》电影版为您解答。

一伙盗墓贼无意间触动古巴比伦遗址的封印，唤醒了沉睡4000年之久的吸血魔（桥本力 饰）。吸血魔携着狂风暴雨来到江户时期的日本，杀害伊豆地区长官并附身其上，混进官府。人类无法识破吸血魔的伪装，只有住在官府池塘内的河童（黑木现 饰）看清其真身，但实力悬殊，无法取胜。吸血魔嗜血如狂，甚至残害儿童。河童集结其他妖怪反击，一度占居上风。吸血魔伺机逃跑，不久卷土重来，变本加厉为害人间。为了保护日本，河童等召集了全日本海•陆•空的百万妖怪，誓要将吸血魔彻底打败。本片拍摄于1968年，与《东海道惊魂》、《妖怪百物语》并称为“大映妖怪三部曲”。2005年由三池崇史重新翻拍。

《父母心》是獨立電影人約翰．卡薩維蒂於六十年代遇上荷里活製片之產物。故事講及精神科醫生畢蘭加士打聘請了來自音樂學院的朱迪．格蘭，於兒童精神病院利用嶄新手法教導外界認為無可救助的精神病兒童吉娜．羅蘭茲。片中兒童皆來自加州其中一間兒童精神中心，將這班被遺忘的一群真實地呈現在觀眾面前。都市人面對種種生活壓力，大量社會問題備受關注。當面對社會的陰暗面時，主流社會最初會以迴避的態度面對，而經過大量之社會運動、媒體報導等以令社會更多元、開放，以積極的態度去面對。這種社會心態轉變可能用上半個世紀，甚至更長時間。其中兒童問題從來都是一個敏感議題，而卡薩維蒂早在六十年代已利用光影之間揭示社會鮮為人知的一面，廣泛引起主流社會討論。卡薩維蒂是一位極具才華的獨立電影導演，游走於荷里活製作和獨立電影之間，利用偏鋒路線打破固有荷里活電影記事模式，注重強烈的演員性格去反映現實社會。本片被評為卡氏最為大膽作品之一，其寫實性令人嘆為觀止，創新起用精神病兒童在作品中表演。深刻地勾勒出這批非主流兒童的困境，打破大眾對他們的形象。而憑藉這齣先驅作品，我們更可以反思現時香港社會在這方面的缺失。As a result of co-operation between Cassavetes and Hollywood's producers, A Child is Waiting was shown in the 1960s. Burt Lancaster, a psychiatrist, hires Judy Garland to work at a psychiatric facility for children. Garland uses an innovative method to teach a mentally retarded child, Gena Rowland, who the world has turned its back on. Patients in the film were from a real life psychiatric institution, where this group of forsaken children was being honestly presented to the audience.City life is filled with all sorts of stress and problems. When facing the dark side of society, the mainstream community usually takes refuge in escapism. It is only after waves of social movements and media coverage that the people's attitudes about these problems would change and that they would take affirmative action about it. This process might take half century or longer. Children issue has always been a sensitive subject, yet Cassavetes has already chosen to show its untold stories in his film in the early sixties to arouse public discussion.Cassavetes was a talented independent filmmaker who also engaged in Hollywood productions. His works emphasized on his actors, and through their characters, instead of traditional storytelling techniques, explored the realities of society. This film was hailed as the most daring piece of Cassavetes' works. Its realism was praised, especially of his inclusion of real life patients. The patients' difficulties were profoundly illustrated so as to eradicate the public's prejudice against them. From this avant-garde work, we can even reconsider the situation of these issues in Hong Kong.source: Hong Kong Arts Centre