撸一撸色五月

公元1645年，清军已经占领明朝半壁江山，南明隆武帝退守福建。当时的台湾被荷兰人占领，国家有难之机，皇帝（徐敏 饰）招见郑森（赵文卓 饰），赐名“成功”，任御营中军都督。由于父亲郑芝龙（杜志国 饰）在反清复明中与皇帝意见相左，隆武帝封郑成功为招讨大将军，赴边关探查军情。十几年后，荷兰人统治下的台湾民不聊生，不断有不甘被盘剥的百姓逃奔而至，郑成功決定收复台湾。一六六一年春末，郑成功率200艘战舰进攻台湾，在何斌的帮助下，郑军绕过鹿门岛浅海，两万多人出其不意地出现在荷军面前，荷兵仓皇应战，并将薛良等数名百姓押做人质，声言若郑军不撤就杀人质。何斌欲换薛良遭荷兵打死，薛良随即跳城而亡，郑成功见状怒发冲冠......

The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot lobster... Written by Michael Brooke {michael@everyman.demon.co.uk}

东映动画长片第六作，也堪称巅峰之作，改编自天岩户传说及须佐之男大战八歧大蛇等日本神话故事。王子须佐之男是伊邪那岐与伊邪那美的儿子，自幼力大无穷，小小年纪就打败猛虎太郎。有一天，母亲伊邪那美故去，不能理解母亲死亡的须佐之男执意要去黄泉之国寻母。他不顾父亲反对，独力造船，带着兔子扬帆远航。王子在海上打败作乱的怪鱼得到海神指引，去到兄长月读掌管的夜之国，兄长赠他冰玉以备不时之需。王子途径火之国，在冰玉加持下打败火神，拯救了当地受苦民众。为了找到富饶的生活之地，火之国的居民代表壮男加入了王子的队伍。王子一行骑着火神献出的火鸟来到姐姐天照大神治理的高天原，结果闹出了一系列乱子，天照懊恼不堪躲进了天岩户，世界随即陷入黑暗。高天原众人载歌载舞，好不容易才将天照女神骗出山洞，令到光明重现天地。王子带着反省之心离开高天原，来到土地贫瘠的出云之国。王子遇见少女奇稻田姬，得知八歧大蛇为害当地，少女也将要成为它的祭品。正义的王子立志铲除大蛇。经老鼠提示，他驯服天马，飞到空中与大蛇展开激战，最终在兔子和壮男的协助下杀死大蛇。大蛇的遗骸化作山川滋润土地，出云之国从此变成富饶之地。王子最后获得母亲的祝福，与众人过上了幸福快乐的日子。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.