相亲才会赢贝塔

東京・品川の行列ができるセルフ洗車場が舞台。水や洗剤が出るスプレーを使い、時間をかけて愛車を磨きあげる人たち。仕事で必要になり車を購入したが、いつの間にか休日のドライブが欠かせないほど車に魅せられた女性。デート代わりに車を洗うカップル。そろそろ免許を返納しようか迷っている70代の男性。それぞれ事情を抱えながら、みな黙々と車を洗う。梅雨が明けた7月末、車の汚れと一緒に、洗い落としたいものは何なのか。

影片改编自擅长禁忌题材的作家大石圭的同名小说，讲述不被任何人重视的三井直人与学生时代第一次喊自己名字的女生时隔十一年再会，但是对方却像变了个人，三井为了监视她潜藏在她床底，爱的疯狂加速了他暴走的进程。

父母亡故的何俏俏（白百合 饰）得到同班同学李行（彭于晏 饰）加倍关怀，两人逐步成了一对青梅竹马的恋人。毕业前夕，李行向俏俏求婚，不料竟被她用“没有达到她想要的物质条件”为理由，狠心地拒绝了。双方在此前提下彼此立下“5年后若单身就结婚”的合约。俏俏远走上海，自尊心受挫的李 行则留在北京打拼。春去秋来，5年之后，俏俏满心以为痴情男李行依然记得当年的约定，两人可以再续前缘，怎料却得知李行要和自小在法国长大的白富美周蕊（吴佩慈 饰）结婚的消息。倍受打击又不甘心的俏俏只有求助于“无敌GAY蜜”毛毛（蒋劲夫 饰），准备联手把李行再次夺回来。到底李行和俏俏的感情在五年后是否还有回旋的余地？

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.