甜蜜惩罚日剧未增删带翻译

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

一出上世纪30年代旧上海的群像戏——叱咤风云的帮派大佬，不甘寂寞的交际花，说着地道上海话的日本妹夫，只收交通费的杀手，被冷落却忠诚的姨太太，外表光鲜的电影皇后，深宅大院里深不可测的管家，偶尔偷腥的电影皇帝，荷尔蒙满溢大脑的帮派小弟，一心想要破处的处男，善良的妓女，随波逐流的明星丈夫，投靠日本人的帮派二哥，日理万机却抽空恋爱的戴先生。战争之下，繁华落尽。帮派大佬逃亡香港，交际花不知所踪，日本妹夫死在上海，电影皇后被丈夫抛弃，处男遇上妓女，姨太太杀死二哥。战争惨烈，战争终于结束。

明朝某皇帝得知潘太师父子罪恶极大，便赴江南私访，恰好书生朱子谦途经杭州目睹潘太师之子抢劫民女沈美娘并杀死其母，愤而来到杭州府击鼓告状。知府刘迁己知皇帝赴江南私访，见朱出言犀利，误其为皇帝。朱借机下旨将潘子处死，惩治了贪官污吏，后来在百姓的掩护下，朱子谦和沈美娘一同远走他乡。

女検死官・水木恭子が犯罪を暴くシリーズ第2弾。恭子の知り合いがレイプされ姿を消した。別のレイプ事件が起き恭子も狙われるが犯人らしき男が殺され謎が深まる…。