午夜福利08550

这部暖心、有趣又感人的影片根据真人真事改编，凯文·哈特在剧中饰演的鳏夫在痛失爱妻后承担起一项艰巨任务：当个父亲。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

顾彬告别家人出国经商，顾彬房东太太的女儿黛娜很思念死去的父亲，因此对与父亲一国的顾彬很有好感。战争爆发，顾彬的妻子琬儿和公公带着幼子监儿逃难，在逃难途中，琬儿和家人失散。几个月后，琬儿病愈回到了故乡，她得知顾彬即将回国非常兴奋，谁知当她见到丈夫后才发现顾彬带着黛娜一起回来，原来顾彬以为琬儿在战火中死去，他已经和黛娜结婚了。琬儿强忍心痛，假装是顾彬的妹妹，但黛娜还是发现了真相，她很同情琬儿和孩子，最终她离开了顾彬。

美丽聪慧但性格有些内向别扭的电影学院大学生善熙（郑有美 饰），在潜水很长一段时间后回到学校。她计划出国留学，因此拜托当初最欣赏自己的崔教授（金相中 饰）开具介绍信。因尚宇（李敏宇 饰）骗她说教授出国不在，以致于善熙一早晨就气呼呼的，坐在餐厅里喝酒解闷。期间她偶遇前男友金文洙（李善均 饰），文洙对善熙念念不忘，连处女作都是以二人的恋爱故事为蓝本。见善熙完全没有回头的意思，郁闷的文洙找到最景仰的前辈宰学（郑在泳 饰）诉苦，却又闹出一段不快。围绕着这个有着自己想法但同时又有些神经质的女孩，崔教授、文洙、宰学三个男人各自拼凑出一个令人难以忘怀的善熙……