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成长在黑社会街区的亚飞（梁朝伟 饰）与阿基（张学友 饰）有着超过二十年的友情，胸怀黑社会之梦的二人平日却只是混事度日：砍人时临阵脱逃、从老大尸体上偷金表这些事他们做来毫不脸红，亚飞与阿基二人有着克死老大的神奇特质，他们的每一任老大下场都极其凄惨，尽数死于江湖大佬关公（汤镇业 饰）之手，一时间，二人“老大克星”的名头响彻江湖，连好友波哥（曾志伟 饰）也不敢收留。二人只好退出黑社会，借钱办起了贸易公司，但第一单生意居然是诓骗新加坡女子阿真（袁咏仪 饰）卖身，不忍逼良为娼的二人大闹黑社会，生死关头被关公手下带走，原来笃信命理的关公要借助二人的硬命渡过劫数，于是，在黑社会摸爬多年的二人终于迎来了翻身之日……

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

三大战役以后，解放战争的战略重点转向西北。胡宗南率部南逃，其残部方子乔（方化 饰）走投无路，逃往西岳华山。五岳之中，华山以险居首。方子乔在各山口要冲布下重兵，负隅顽抗。我军侦察参谋（郭允泰 饰）率小分队潜入山区，找到药农常生林（刘柳 饰），常带领小分队抄近路抵近华山主峰，并趁敌麻痹登上北峰，机智的切断了北峰敌人与方子乔的联系。随既开展政治攻势，促使华山咽喉要道千尺幢上的守敌投降，而后又控制了北峰与西峰之间的所有通道，给方子乔造成了“上天无路、入地无门”的决绝境地。方子乔如犹斗困兽，组织部队反扑。无奈，军心涣散，斗志全无；方子乔发出了绝望的哀叹......

影片以一座“没有人心，只有规矩”的人间隐市做背景，隐市规矩自成一体，从而形成了一个全新的生存世界及世界观。全片涵盖了“奇谈”、“悬疑”“药理”等多重元素，围绕 “天赋医师”白青萝（郜思雯饰）同“诡案捕快”拾生（蔡佩池饰）的破案经历，揭开了一件件跌宕起伏扣人心弦的悬案谜底，巧思设置既环环相扣又能发人深省。