成均馆绯闻20

Set inside a pre-war duplex in downtown Manhattan, The Humans follows the course of an evening in which the Blake family gathers to celebrate Thanksgiving. As darkness falls outside the crumbling building, mysterious things start to go bump in the night and family tensions reach a boiling point

The film begins with the title Chorokbam filling the screen, which is amazing to see. This is the very moment at which the audience decides to trust this film without hesitation. In terms of how to fill and empty the square frame, the film is bold and skillful. Chorok, meaning green in English, is the color of fate in this movie. The problems of all the family members a hopeless father who works as a night guard, a mother who is completely exhausted with house works, a poor son who works for the disabled and their funeral ceremony are all dominated by the color, green. It is not bright or fancy but dark and scary in some sense. With attractive images and scenes, the film develops a series of worldly episodes of a family up to the level of poetic sentiment of blues and depression. (JUNG Hanseok)

With realistic acumen and artistic expertise, ADIEU LACAN portrays the struggles of a young woman, Seriema, who is trying to understand why her path to motherhood has reached an unbearable impasse. Following two miscarriages and the possible loss of her marriage, Seriema travels to Paris in 1972 to undergo psychoanalytic treatment with the maverick French analyst, Jacques Lacan. Her analysis is an attempt to help her to disentangle the enigma of her question: why has motherhood become a seeming impossibility? Inspired by the story of Betty Milan, a Brazilian psychoanalyst and writer, it follows closely her own actual psychoanalysis with Lacan. Based on her play "Goodbye, Doctor" and her novel "Lacan's Parrot," in which Milan recounts her analytic work, ADIEU LACAN offers an insightful and accurate account of an actual psychoanalytic cure.—Mavis Himes

梁一（梁景林）是台湾六十年代名噪一时的“阿飞舞王”，二十年前，他来到上海，创办了中国第一所教授爵士舞、踢踏舞以及摇滚舞的艺术学校。梁一毕生的梦想是能够到百老汇表演，但年已古稀的他，距离这个梦想越来越远，只能寄希望于自己的学生。扬扬（韩文扬）八十年代开始跟随梁一学习，为老师的一份梦想所影响，她不惜放弃了入大学深造的机会，在“梦工厂”坚守多年，同老师一起培养了无数对艺术、对舞蹈怀有赤诚热情的青年，尽管这些学生之中，极少有人能够进入专业舞蹈的领域，但在梦工厂的经历，至少是他们对于梦想和努力的最好注脚，或许这种美国传来的舞蹈本身，也即是关于生活本身的美妙奇想。本片是彭文淳的第一部纪录片作品，获第五届华语电影传媒大奖最佳新晋导演奖。