末日审判者

为了获得普利策奖，一名记者谎称自己患有精神疾病，而进入了疯人院，以此来调查一个谋杀犯。但当他逐渐接近那名凶手时，疯狂也亦步亦趋地慢慢侵袭到他的头脑......这部描写疯人院中离奇案件的影片充斥着塞缪尔.富勒锐利的愤怒色彩，令人不寒而栗

〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains

故事发生在20世纪的60年代初，男主人公朴正跟随仕途失败的父亲从汉城转学到乡下。到了新学校，朴正发现全部同学都屈从于班长"阿模"的统治之下，他们不仅仅要作弊帮助阿模答题，还要把自己从家里带来的中午饭交给阿模处理。朴正是从大城市来的，心气很傲，他根本就不听命于阿模。可是，很快他就发现自己根本不是阿模的对手，因为阿模不仅受到全班同学的"拥戴"，他还是老师心目中最正直，最优秀的典范，老师也赋予阿模更多管理班级的权力。阿模利用检查清洁卫生的机会，好好的惩罚了一番朴正，不管朴正有多么的认真，他擦的玻璃始终不能获得通过。朴正骄傲的心理防线崩溃了。他也开始象别的同学那样利用各种机会讨好阿模。阿模在确认已经将朴正收拾得服服帖帖以后，向全班同学宣布朴正为班级的第二号人物。朴正开始成为班级里欺负弱者的主力。阿模的专制统治在一位充满民主思想的老师到来后，彻底瓦解了。老师发现阿模的所有考卷都是由他人代答。老师毫不犹豫地惩罚了阿模，学生们也开始一个一个地揭发阿模的"罪状"。班上有一个平时尽受欺负的傻孩哭了起来，他指着全班同学说，你们也有错！这大概是影片中最震撼人心的一幕，阿模之所以能在班级里建立起来自己的权威，是因为那些完全服从于权威的同学造成的。噩梦般的学生时代终于过去，朴正也为自己的软弱付出了代价。影片并没有停止在1960年，30多年过去，影片开头，朴正已经是一名大学历史老师。韩国的军人统治时期也已经结束，可是当朴正听说失踪多年的阿模也要来参加小学时期的老师的葬礼时，他感觉到一阵莫明的恐慌。很显然，虽然他已经长大成人，可他还无法完全从阿模的阴影中走出来。

《江湖奇俠》延續篇本片乃賣座電影《江湖奇俠》之下集，同樣以「火燒紅蓮寺」故事作其骨幹。甘聯珠(秦萍 飾)與桂武(王羽 飾)夫婦，為救被困僧人與婦女而闖進紅蓮寺，聯珠不慎踏中機關遭擒，危急中強迫桂武衝出回家求救。甘氏全家前往尋仇，誤觸寺內機關，死傷慘重……本片陣容鼎盛，粒粒皆星，上映後即掀起武俠片熱潮，更奠定秦萍女俠的地位。