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为了追捕藏匿在韩国的国际犯罪组织，北韩刑警任铁零（玄彬 饰）投入新的共同搜查任务。而韩国刑警姜镇泰（柳海真 饰）则在搜查中因发生失误而被调至网络搜查队，为了回到广域搜查队，镇泰自愿担任铁零的伙伴。再次遇见铁零的敏英（林允儿 饰）又重燃对他的爱意。然而，铁哲与镇泰对彼此心存怀疑，但仍展开十分像样的搜查行动。就在他们终于找到犯罪组织首脑张明俊（陈善圭 饰）的藏身之处时，来自美国的FBI探员杰克（丹尼尔·海尼 饰）突然出现在他们面前，依旧令人辛酸的韩国刑警；一样杰出的北韩刑警；来自FBI的美国刑警，因各自的目的而团结一心的他们，将展开刺激的共同搜查行动。

A dysfunctional family's heart of darkness is laid bare in the grimly humorous and then just plain grim meller "Members of the Funeral." Feature bow by Baek Seung-bin heralds a dark wit and sleek intelligence guided by a creatively secure humility. A standout from the substandard HD fodder that generally clogs up Pusan's New Currents competish and so-called cutting-edge fests, "Funeral" is quietly riveting. A tad too restrained for midnight sidebars or commercial release, pic possesses an intensity that should secure fest berths.

太阳活动异常，地球内部的能量平衡系统面临崩溃，玛雅人的预言即将实现，人类将遭遇灭顶之灾。各国政府已经联手开始秘密制造方舟，希望能躲过这一浩劫。以写科幻小说谋生的杰克逊（约翰·库萨克 John Cusack 饰）在带孩子们到黄石公园渡周末时发生一连串怪事，而且遇到了神经兮兮的查理（伍迪·哈里森 Woody Harrelson 饰)，查理告诉他世界末日即将来临。伴随着火山爆发，强烈地震以及海啸，杰克逊带领自己的家人驾驶一架临时租来的飞机冲出被死神阴霾瞬间笼罩的城市上空，开始寻找查理口中各国政府正在联合秘密制造的方舟。在生死攸关的时刻，一些伟大的鬼魂将脱颖而出，而一些自私的心灵将无所遁形，当千千万万个生灵通过各种方法来到方舟制造基地之时，方舟有限的容纳数量引发前所未有的恐慌。最终，仅存的人们用互爱和对生命的尊重渡过了难关。本片被称为《后天》的升级版，投资超过2亿美元，是灾难片大师罗兰·艾默里奇（Roland Emmerich）的最新力作。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.