女超人受难

一段不伦之恋，造成了两代人的人生悲剧。野野宫希和子（永作博美 饰）无法得到情人的身与心，还被迫杀掉了腹中的孩子。在一个瓢泼大雨的日子里，万念俱灰的希和子走入情人的家，抱走了他们尚在襁褓中的女儿惠理菜。此后的岁月中，她带着“女儿”薰辗转各地，只为寻求“母女”安身立命的宁静之所。此去经年，长大成人的惠理菜（井上真央 饰）经历着人生的种种，而她似乎正在走一条与“母亲”希和子相同的路。无论多么不愿回首，她仍按照宿命的指引追忆着与希和子共处的那段短暂而美好的时光……本片根据角田光代的同名原著改编，并荣获2011年电影旬报十佳第5名、最佳女主角奖（永作博美）、最佳女配角奖（小池荣子）；第36届报知电影奖最佳影片奖和最佳女主角奖。

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

中越边境，以副连长、一排长为首的九人集体，冒着敌人的密集炮火来到三号哨位——一个天然山洞，开始了三个月艰苦的战斗生活。先是闷热，没有水。疾病和潮热时刻威胁着战士们，但他们仍保持乐观的精神。长期缺阳光、缺营养、缺睡眠，使战士们全染上了疲劳综合症。副连长回忆起后方烈士的妻子严萍萍，在丈夫死掉后坚强的活下并抚养起烈士的后代。小顾不幸触电身亡。战士们背着小顾，走在红色的泥浆地上。副连长和严萍萍在一排皮墓碑前寻找烈士的亡灵。

Imagine a place that is vast, wild and untouched, where some of the world's greatest wildlife spectacles unfold. The Arctic National Wildlife refuge, situated in the northeastern corner of Alaska, is the wildest place left in North America. A symbol of wilderness for the world. No one has truly ever seen it. "The Arctic: Our Last Great Wilderness" will feature the first-ever cinematic account of this little known land where people can experience a world untouched by time.