一夜大肚

2013.09.18～2015.06.22TAIPEI>NEW YORK>LONDON李宗盛越過山丘Live Tour全紀錄「做為一個音樂人，很開心我寫的東西能感動你，謝謝大家喜歡我寫的歌，從小李的青春年少，聽到我的兩鬢斑白，所以，我肯定有更珍貴的東西還與你們分享，無以為謝，唯有寫歌，給在乎自己的人，和自己在乎的人聽。」“每個人心裡都有自己的一首李宗盛”。從華語樂壇經典級「情歌大師」到人生淬鍊傳奇性「心靈導師」，李宗盛2013/9/28在台北小巨蛋首演首場《既然青春留不住》世界巡迴演唱會，巡迴35場，穿越21個月，橫跨28個城市。從「給自己的歌」唱到「給每顆心的歌」，李宗盛無可取代以的李式經典折服全球，2015/4/4&5 登上了全球藝術表演者嚮往的最高殿堂林肯中心(Lincoln Center)開唱，更於同年06/22登上英國有144年歷史的倫敦皇家阿爾伯特音樂廳(Royal Albert Hall)，演出此系列世界巡迴最終場《還是做個大叔好》，越過山丘再攀顛峰，與幸參與這場經典一刻的歌迷悸動見證這一次絕無僅有的因緣際會。李宗盛在製作過無數膾炙人口專輯經歷人生大風大浪、華麗與沉潛，近年來淡出舞台，回到音樂發聲的起點，專心於木吉他事業，打造華人第一個手工吉他品牌「Lee Guitars」；再次走回幕前開唱，是為了享受一總感覺，透過唱過的每首歌，以過來人的角度直率的分享過往歲月及故事，現在回頭看起來，都帶著記憶的溫度。李宗盛也感謝歌迷：「做為一個音樂人，很開心我寫的東西能感動你，謝謝大家喜歡我寫的歌，從小李的青春年少，聽到我的兩鬢斑白，所以，我肯定有更珍貴的東西還與你們分享，無以為謝，唯有寫歌，給在乎自己的人，和自己在乎的人聽。」「既然青春留不住-還是做個大叔好！」LIVE CD & LIVE DVD 共收錄台北、紐約、倫敦三場錄音錄影精彩全紀錄，以精選29首時代的共同記憶，李宗盛的歌聲，再度帶著歌迷進入過往的年少，無法自拔的時光隧道。

奶奶因中风后阿兹海默症的自费药成了陈浩志的经济负担，他开始从事同志按摩来维持家计，起初只把按摩当工作的他渐渐发现对男性的身体有一种本能上的慾望，他开始流连在这些关係裡。然而，这样自以为家庭、工作、自我，能三全其美的状况下，却演变成更失衡的关係，让陈浩志陷入了更大的纠结与混乱。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

达科塔·约翰逊将主演新片《劝导》，改编自简·奥斯汀同名小说，托尼奖提名戏剧导演凯莉·克拉克内尔首次执导剧情长片。本片是现代版改编，讲述安妮·艾略特是个具有新潮情感、不顺从常规的女人，和她势利、濒临破产的家人生活在一起。当安妮曾经打发走的风度翩翩、时髦潇洒的弗雷德里克·温特沃斯重新出现，她必须做出选择：把过去抛在脑后，或是有第二次机会听从自己的内心。罗纳德·巴斯(《雨人》《我最好朋友的婚礼》)和爱丽丝·维多利亚·温斯洛写剧本，Netflix和MRC Film联合制作，5月开拍。