女人脱裤

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

《面包情人》自1998年开始拍摄，以在台北市安养院工作的菲律宾看护为拍摄对象，一方面探索女性外籍劳工离乡来台工作，面对生存、贫穷、梦想、亲情、乡愁与欲望等多重难题的心路历程，另一方面也试图揭示台湾社会所忽略的老人安养议题。该片的所有动画与国际版海报，皆出自视觉传达系学生之手。影片历时13年，耗资千万进行跨国拍摄，不仅获选为“2011台湾国际女性影展”开幕影片，更入围第十六届釜山国际电影节最佳纪录片奖。

還記得金趙光壽這個名字？這位韓國同志電影大導繼《同一天台上》(2021) 和《兩個婚禮一個葬禮》(2012) 之後，以《大叔的愛》的韓國oppa 版再度征服香港一眾腐女腐男！這套 《職場新仔》男男戀電影改編自韓國人氣網絡小說和得獎網絡漫畫，講述大學畢業小鮮肉于盛賢（文志溶 飾）初出茅廬緊張工作表現，渴望取悅頂頭上司金鍾燦（權赫 飾），但上司要求嚴格，唯有更加努力博取青睞。精誠所至，金石為開，上司最後深受感動，並幫助他事業上扶搖直上。可是，二人真正想要的是事業還是男朋友？還是想兩者兼得？

于2月17日公映的荒木飞吕彦老牌热血漫画《乔乔的奇妙冒险》的首部剧场版——《乔乔的奇妙冒险·幽灵之血》，故事的主角锁定初代“JOJO”——乔纳桑·乔斯塔！相传在古墨西哥文明有个繁荣的王国阿兹特克，国内人都称自己是太阳的子民，其中有一个部族有着称霸世界的野心，他们用神秘的“石头面具”获得了永恒的生命和力量，至于是谁出于何种目的制造了这个面具人们不得而知。有一天，这个部族突然失踪了，只留下了那具谜般的面具……时间推移至19世纪末的英国，贵族乔斯塔收养了救命恩人的儿子迪奥·布兰德为养子，而且还大力栽培他。但是迪奥却在计划着从乔斯塔的亲生儿子乔纳森手中暗中夺取财产的阴谋，然而他的诡计却被乔纳森识破了！在慌乱之中迪奥戴上了石之面具而变成了不死身，从此便给这个世界带来了更多的杀戮、破坏和掠夺……对付他的惟一手段就是一种古老的太阳之力、东方称为“波纹”的秘术，为了复仇除害，乔纳森毅然接受了波纹功的训练，开始了与迪奥——这个乔斯塔家族宿命中的敌人的战斗！CASTジョナサン·ジョースター：小西克幸ディオ·ブランドー：绿川光エリナ·ペンドルトン：水树奈奈ウィル·A·ツェペリ：小山力也ジョージ·ジョースターI世：矶部勉トンペティ：坂口芳贞ダリオ·ブランドー：小沢一敬ワンチェン：井户田润