狂暴警察

许鞍华导演大学念文学时主修诗歌，感其解忧纾困，于是便一偿多年心愿，好好拍下香港的诗文风景。电影主要分为三个部分，第一部分是记录许鞍华导演亲自拜访多位香港诗人好友，如淮远、饮江、邓阿蓝、马若等会友论诗；并借用资料影像及照片，追怀已然离逝的西西和也斯。而整部电影的重点就落在第二部分已移居深圳，性格自由率性的诗人黄灿然及第三部分在台湾忙于讲学兼顾家庭，积极入世的诗人廖伟棠。香港诗或香港诗人宛如边缘的小草，在生活压迫挣扎的同时，展现出顽强的生命力。

农民拉条子（陈建斌 饰）在镇上遇到一个讨饭的傻子（金世佳 饰），傻子跟着他回了家。拉条子贴了寻人启示，不久有人认领了傻子。紧接着又有自称傻子的家人陆续出现，说拉条子把傻子卖了。麻烦接踵而至，拉条子自知上当受骗却有口难言，他想不明白，好事怎么就成了坏事？他开始以一位农民最淳朴的办法想自证清白。而为了寻找傻子，他成了另一个到处缠着别人的傻子……影片根据短篇小说《奔跑的月光》改编，陈建斌自编自导自演的处女作。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

30年前一宗金猪失窃未破案，本来是华探长中最好打的肥蟹（洪金寳饰）因太肥胖被革职，兼患上轻度脑退化，被从战场上回流的无分国界医生阮祥昌（院长）（林敏驄饰）连同其它捡回来的老人（吴耀汉、梁小龙、泰迪罗宾、恬妞）一起收留安置在祖传的安憩老人院中，并由院长昔日看护助手清清（王菀之饰）悉心照顾，安享晚年。院长小学同学，雨云集团创办人洪雨云（林雪饰）现今已是成功商人，因小时曾被院长欺负怀恨在心，誓要夺取院长的老人院，令院长一无所有，派出小职员阿俊（张继聪饰）、阿乐（林盛斌饰）前往混入捣乱。众老人各身怀绝技，亦非泛泛之辈，誓要保住老人院这个家，以报答院长救命之恩。《如珠如宝》的从来都是身边的家人，而家人，是一个也不能少的……