乖乖被你宠

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

得到父亲（太保 饰）去世的消息，女儿阿梅（王莉雯 饰）从台北回到乡里，和哥哥一起为父亲操持后事。在师公严格指挥下哭丧，折纸莲花的唠叨妇女们，被太阳晒爆的罐头塔……阿梅时时被荒诞的乡下丧葬习俗、彼此联系诡谲的乡里人情弄得哭笑不得，与父亲的往事一幕幕涌上心头，成年以来的二人 疏离，在回忆中才慢慢贴近。繁琐冗长、笑多过泪的丧事终于处理结束，阿梅独个回到城市繁忙生活。几个月后，阿梅过境香港机场，习惯性想买一条“黄长寿”烟给父亲，突然惊觉父亲已经不在了，一直没好好流过的泪此刻终于决堤……本片改编自“林荣三文学奖”首奖作品，散文作者刘梓洁亲自执导。

片中的演员们均以自己的本名出演，剧中的大量对话也均出自于演员们的即兴表演而非剧本。故事发生在寒冷的圣诞节前夜，杂志社开启了一个特殊的专题，召集不同年龄段的女演员们，共同拍摄一辑以她们为主题的写真。就这样，曾经红极一时但如今已经过气的尹汝贞和李美淑，资质最浅但目前风头最劲的金玉彬，身材火辣个性不羁的金敏姬，由于出演电视剧而在日本有着大批粉丝的崔智友，看似自信但对自己的脸庞很不满意的高贤贞，这样六个个性都极为强烈的女人们聚到了一起。在高贤贞咄咄逼人的挑衅之下，现场的气氛开始变得紧张，而拍摄使用的珠宝又迟迟不来，无聊之中，女演员们提议举办一场圣诞晚宴，一场关于女演员这个特殊的职业和她们所拥有和期望的人生的探讨开始了。

Ｔ新報社の社会部記者三國連太郎は、部長の中沼より、家出をした某官庁官吏北浦氏の妻伊都子の動静をさぐるように命じられた。個人の私事に立ち入ることを潔しとしない連太郎も、渋々ながらまず長野原に隠棲する伊都...