死神498

基斯卡岛战役是第二次世界大战太平洋战场的阿留申群岛战役中的一个重要组成部分，因日本成功组织了号称“奇迹作战”的撤离行动而出名。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

山子（王文杰 饰）的父亲是一名经验老道的猎人，在父亲的耳濡目染之下，山子亦拥有了一身好枪法。日本人来了，血洗了山子的村庄，残忍杀害了山子的父母，就这样，年仅十六岁的少年成为了孤儿。某日，山子设下的陷阱里闯入了一个日本鬼子，山子抢了鬼子的枪，却被八路军战士们纷纷堵住。一番波折之后，山子加入了八路军。本以为从军就能够打鬼子为父母报仇，但连长却缴了他的械，将他发配到炊事班跟着老胶东打下手。某日，连里接到了掩护大部队的任务，然而，这却是一个根本就不可能完成的任务，鬼子的突然入侵使连队陷入了苦战之中，仅剩的战士们包括山子在内被逼入了绝境，在生死存亡之际，老胶东舍身救了山子。

创伤是一股塑造我们生命的无形力量。它塑造了我们生活的方式，爱的方式和我们理解这个世界的方式。它是我们最深处伤口的根源。加博尔·马泰博士提供了一个新的视角：在一个对创伤包容的社会里，家长、老师、医务工作者、政策制定者和立法者不是聚焦于纠正行为、下诊断、压制症状和判决，而是去理解行为和疾病背后的伤害人们灵魂的源头。