老蒲的春夏秋冬

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb

Ji-cheol is a job seeker who only plays and eats, and is the boyfriend of Eun-je who runs a small store. Meanwhile, Joong-hoo, a hikikumori, becamea regular after accidentally seeing Eun-je in the store. She is mistaking her kindness for her affection for herself. Joong-hoo started stalking her SNS every day. In the end, after approaching Eun-je with an innocent face, he succeeds in locking up Eun-je. As Eun-je disappears and the money supply is cut off, Ji-cheol is eager to find Eun-je. Ji-cheol, who is sad about money rather than worrying about Eun-je's safety, tries to lure Mi-seon out of her pocket money. Eun-je, who saw the scene of these two people's affair through a hidden camera, disarms Joong-hoo while drinking with him, thinking that she should somehow get out of there. Eun-je eventually escapes. Feeling empty without Eun-je, Joong-hu confines Mi-Seon, who ignored him. Three months later, someone came to Joong-hu's house and then.

本作以哈萨维为主角，采取三部曲的形式，讲述“逆袭的夏亚”之后的故事。

江戸川乱歩原作的《白昼夢》和《猟奇の果》改编的“贺岁”电视电影。由“黒髪の麗人”“エロスの白い肌”两集组成