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Using unexpected canvasses, JR's intention is to give a global voice to everyday people through a genre-blending combination of public art, photography and large format spectacle.

由郑文堂执导，苏慧伦、陆奕静、戴立忍、李威等人演出的“深海Blue Cha Cha”，说着一个简单却动人心弦的故事。小玉（苏慧伦饰）服了7年的牢刑出狱后，到高雄旗津投靠前狱友安姐（陆弈静饰），从酒店的工作到工厂生产线女工的两个工作中，陆续遇到了两个男人都深深的伤害了患有忧郁症的小玉。原先从海报中苏慧伦和陆弈静站在堤防上对着大海喊叫的画面，以为“Blue Cha Cha”的蓝是淡蓝色的，而跳起了恰恰就会带来愉快。没想到电影却一歩一歩被苏慧伦的忧郁症所笼罩，随着2次恋情的铺陈，观众的心也跟着沉入了无助的深海，只有跳恰恰成为其中唯一的纾解。一直到电影的最后，从海上来了一个神秘的自闭症少年，才让生命得到了救赎的曙光。

数年前，善良的具老师（崔政宇 饰）和夫人（吴美姬 饰）收留了身受重伤无依无靠的少女（金多美 饰）并取名为具子允，之后，失去了之前所有记忆的具子允一直以夫妻两人女儿的身份在家中生活，一家三口之间的感情非常的要好。具夫人随着年龄的增长逐渐患上了老年痴呆症，而治疗这种病需要花费大量的金钱，这是一直在贫困线徘徊的具老师一家人无法承受的。一次偶然中，具子允和好友明熙（高旻示 饰）决定参加当红的选秀节目，最终胜出者能够获得丰厚的奖金。在选拔赛里，具子允用其美妙动人的歌声征服了评委，顺利晋级，与此同时，她也得到了被全国观众看到的机会。哪知道，在吸引全国关注的同时，具子允的过去也找到了她。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb