地狱为何恶劣

这是一部由十个小故事组成的短片集。面对不同的社会横截面，父亲的样子往往是相通的。无法带孩子入院看病的穷爸爸、身为黑帮老大的富爸爸、对自己都无力负责的失业小父亲、子孙满堂的喧嚣中寂寞的老父亲，清晨下班还骑着三轮车载孩子赶火车的工人父亲，为救孩子在海中身亡的悲剧父亲……十位父亲，无私，近无我，就算与孩子之间的交流总会隔膜，但无处不满溢着浓浓的爱。本片被选为2009年台北电影节开幕影片。

一颗流星撞击月球并改变了月球的轴线及运行轨迹，地球的引力将月球拉入其行星的轨道。现在，充满了争斗和麻烦的地球上，各国政府互相倾轧。但是面对人类和地球历史上最致命的危机的时候。伟大的科学家们摒弃了争执，齐心协力必须找出阻止月球撞击地球的方法，否则就太晚了。一位名誉扫地的前美国国家航空航天局宇航员，提前获知了月球即将撞击地球的科学证据和关键的科学数据。这些珍贵的科学研究资料将是科学家们挽救地球的关键所在。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

影片《Hotel Lake》主要讲述的是由美（李世荣 饰）为了托管妹妹来到湖水酒店，酒店老板娘热情的招待了她们，但酒店唯一的女服务员告诉两姐妹千万不要往上看、千万不要单独行动、千万不要进405号房间。