六福喜事

黄飞鸿的侠义事迹曾多次被搬上银幕，本片由资深导演王风执导，史仲田饰黄飞鸿、石坚饰申九蚣，配搭新鲜。故事讲述，黄飞鸿（史仲田）是清末民初名震岭南的着名拳师，平素以行侠仗义、排解纠纷为己任；除了设馆授徒之外，并医治跌打济世，在武林中极有声望。某天正值黄飞鸿宝芝林药局新张吉庆，德记?栏主人周立德（井淼）前来道贺，并希望黄飞鸿能够帮助他在来年观音诞时抢得丁财炮……

平静的城市中突然发生了一系列暗杀事件，受害者皆为退役特种部队上校约翰（Arnold Schwarzenegger 饰）的昔日部下，老上司克比为此拜访了约翰的山间小屋向其提出警告，退隐多时的约翰只想同尚年幼的女儿詹妮享受生活，不愿再次卷入仇杀，岂料这次的敌人尾随克比寻至约翰住处，他们掳走了詹妮，强迫约翰刺杀奥维地共和国总统，以便为幕后策划者阿里乌斯登上该国总统之位铺平道路。约翰当然不会就范，他摆脱了随行的监视人员，从飞机一跃而下，暂时脱离了阿里乌斯的控制之后，他只有十一小时救出詹妮。约翰在机场请求素不相识的黑人姑娘西迪（Rae Dawn Chong 饰）相助，两人一同经历了连串的火爆战斗，西迪对这位陌生魁梧男子的态度由戒备转向全力协助，并最终登上了阿里乌斯藏匿的岛屿……

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war.This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

Yi-jung is in her late twenties and still lives with her mother. Having raised her daughter alone, Su-kyung is now ready to start a new life with her fiancé and leave the past behind. Not so Yi-jung, who from an early age has all too often had to serve as an outlet for her irascible mother’s frustrations. The many years of disregard have left her with a crippling mixture of suppressed feelings towards her mother from whom she simply cannot break free. When an argument between the two escalates in a supermarket car park, Su-kyung hits her daughter with her car. Just an accident, the mother claims. Malicious intent, Yi-jung retorts. This rebellion marks the beginning of an arduous process for both women to cut the cord.