小舍得 电视剧

The Ideon: A Contact is a compilation movie of the first thirty-two episodes of Space Runaway Ideon. It was released alongside its sequel, The Ideon: Be Invoked, on a double bill in 1982.Synopsis: A Buff Clan ship, under the command of Gije Zaral, DS-outs near the Earthling colony of Solo. It is on a mission to look for the legendary Ide, a source of infinite energy.

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

一切のエンターテイメント性を排したストイックかつ格調高い宮本武蔵。戦時下末期の制作で、溝口ならではの超辛口な演出です。

胡台丽《兰屿观点》73min 年代1993 中文发音 中\英字幕 彩色影片作为人类学者、中研院研究员，胡台丽导演为台湾民族志纪录像片第一人，她的纪录作品也是第一部上院线作商业放映的纪录片。本片纪录兰屿雅美族人的社会价值观、宗教信仰与传统生计活动等，和外界接触后所产生的文化困惑、矛盾、调适及冲突。为胡导演代表作之一。与郭珍弟导演的《清文不在家》相互参照之下，更可观察出雅美族人（或达悟族人）长期所面临的困境，在经过十年的岁月变迁与文化冲刷之后，似乎并没有减少，只是更深刻、更内化了。